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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 20, 2019

Brébeuf Hymn #156 • “Christe Redemptor”

The Soprano line was sung by a young lady in the 8th grade—and she did very well.

Jeff Ostrowski · July 18, 2019

Can Girls In The 2nd Grade Sing SATB Hymns?

If a girl in the 2nd grade can learn it after hearing it only a few times, I believe everyone is capable of learning it.

Jeff Ostrowski · July 16, 2019

“For of all sad words of tongue or pen…”

…the saddest are these: “It might have been!”

Veronica Moreno · July 16, 2019

PDF Download • “Seasonal Index” (Brébeuf Hymnal)

I can’t always recognize a hymn tune by its name, especially when the Missalette only provides lyrics. Please don’t judge me; that’s the honest truth.

Veronica Brandt · July 13, 2019

Chant any Psalms and Antiphons

Liturgy of the Hours and Divine Office books become enormous when they include all the music for singing the psalms. Fortunately here are the tools to bring the music to your screen.

Jeff Ostrowski · July 13, 2019

(Individual Parts) • New Hymn by Richard J. Clark

During the Symposium, a wonderful young lady from Las Vegas taught students how to create multi-track recordings.

Richard J. Clark · July 12, 2019

Our children must at the very least be exposed to the great music of the Church.

Traditional hymnody is often easier to sing: simpler melodically and rhythmically, and generally more substantive in theology.

Dr. Lucas Tappan · July 9, 2019

In Support of the Choir School Tradition

St. Paul’s Choir School is one of only three Catholic choir schools in the United States, and provides an approach we might call the apprenticeship method.

Jeff Ostrowski · July 9, 2019

Hymn Harmony: Fifty Examples—Good and Bad!

We will not be considering musically absurd examples from the past.

Richard J. Clark · July 5, 2019

In Gratitude for Choral Singers

I am deeply grateful to faith-filled choral singers because of their willingness to understand these 10 things

Jeff Ostrowski · July 4, 2019

Accompanying Gregorian Chant: “Counter-Melody”

Do you hear the little counter-melody added by the organist to several verses?

Jeff Ostrowski · July 3, 2019

(Live Recording) • Hymn by Richard J. Clark

Recordings from Symposium 2019 are beginning to appear!

Corpus Christi Watershed · July 3, 2019

“First Images” • Sacred Music Symposium 2019

…including a live recording of the Kyrie by Palestrina!

Corpus Christi Watershed · July 2, 2019

“Keynote Address” • Sacred Music Symposium 2019

By Fr. James Fryar, FSSP—recorded live.

Dr. Lucas Tappan · July 1, 2019

St. Paul’s Choir School Appoints New Director of Music

James Kennerley’s “rehearsal with the men and boys was brilliant as is his organ playing.”

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

If the homily goes on too long, it will affect two characteristic elements of the liturgical celebration: its balance and its rhythm. The words of the preacher must be measured, so that the Lord, more than his minister, will be the center of attention.

— Pope Francis (11/24/2013)

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • Comm. Fauxbourdon • “What does it sound like?”
  • “Ad Te Levavi” • Variant
  • Spectacular Communion Setting!
  • Now That You’re Shunning Bad Hymns … Stop Announcing Them!

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