Where Did “Do-Re-Mi” Come From?
A concise and clear explanation from a 1957 book…
Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

“You think I’m kidding, but I’m not. I know of no greater piece than this.” —Jeff Ostrowski

Twelve (12) hymns are already available, with tons more on the way!

If you are interested in the great English Cathedral music tradition, please consider listening to these podcasts.

Careful: the Alto line is surprisingly difficult!

I am reminded of the care with which the Pieta was transported from the Vatican to New York City for the World’s Fair in 1964 and I hope and pray that the Westminster Cathedral Choir will be treated with as much veneration and respect.

Many would ask: “What is the purpose of posting such books? Are we supposed to sing from them?” • It turns out, these editions help us understand the journey of Franz Liszt to understand Gregorian modality.

I can’t remember if I ever released this “comparison” video…

Like the great Cathedral of Notre Dame, this daily musical offering belongs not only to the Church in London and the British Isles, but to the universal Church.
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