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Views from the Choir Loft

William Fritz • Article Archive

William J. Fritz is a composer, organist, choir director and music teacher. He studied music, philosophy and theology with the Norbertine Fathers of St. Michael's Abbey in Orange County, and received his masters in theology from the Oratory of St. Philip Neri in Toronto, Canada. He currently serves as music director in both forms of the Roman Rite at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—Read full biography (with photographs).

William J. Fritz · May 2, 2026

“Regina Caeli” • More Than You Wanted To Know

To my knowledge, this is the first online recording of the simple Norbertine “Regina Caeli.”

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William J. Fritz · February 28, 2025

From Inspiration to Implementation • “Lenten Choral Extensions” (And a Free Gift!)

I decided to try something different for Lent…

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William J. Fritz · January 6, 2025

The Dedication of a Musician

“In other words, it is in the very being of what it is to be human to be giving of oneself.”

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William J. Fritz · November 16, 2024

Principles vs Preferences

I ran into this idea recently…

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William J. Fritz · October 7, 2024

Mass • “Singing” Vs. “Reciting”

That single change made clear that those present were able to enter more deeply…

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William J. Fritz · August 23, 2024

“Introducing Chant in Your Parish” • With Kevin Allen

“If Bach wanted to learn from the master, he had to go a long way to do it, so he made the sacrifice to do it.” —Kevin Allen

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William J. Fritz · December 13, 2023

Recording Release! • Marenzio’s “Salve Regina”

I recorded my choir trying out the little “puzzle” (sent by Benedetti to Cipriano de Rore) to see whether the pitch would drift at all…

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William J. Fritz · September 17, 2023

Enter the Gregorian Rhythm Wars

My goal is to clarify and illumine what I believe exactly is at stake when we debate the rhythm in chant. I shall first attempt to summarize the core arguments that each of the main authors in this blog series use.

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William J. Fritz · September 13, 2023

“Ever Ancient, Ever New” • Sacred Concert in North Florida

“It is even more encouraging when a concert with 𝑡𝑟𝑢𝑙𝑦 𝑎𝑢𝑡ℎ𝑒𝑛𝑡𝑖𝑐 Catholic music is done.” —Mæstro Fritz

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William J. Fritz · July 7, 2023

EWTN Broadcast • Sacred Music by MacMillan + Eight Emerging Composers

This coming Saturday (8 July) at 7:00pm, EWTN will be broadcasting …

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William J. Fritz · December 17, 2020

(Installment #15) “Catholic Hymnals” • William Fritz

To (re)Harmonize a Hymn—“Anima Christi” by Dr. Theodore Marier

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William J. Fritz · May 15, 2020

How to Change a Hymn Without Changing It

Ever thought of changing the way you play a hymn without needing to have studies advanced theory and harmonization techniques? Here are two ways of changing the way you are playing a hymn without changing the harmony or re-voicing it.

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William J. Fritz · April 17, 2020

A Blessing and a Curse: Digital Sheet Music

Have you seen a musician using a tablet to read their music as they performed? Ever wondered how that would work in your choir or for you?

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William J. Fritz · April 15, 2020

Repeating Repertoire? • William Fritz

As church musicians, we have incredible responsibility and influence.

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William J. Fritz · February 21, 2020

What Kind of Interest is there in a Gregorian Chant Class?

Have you ever considered how a class on Gregorian chant would be received? Why is there an increasing desire among Catholics to include chant in the Mass and liturgy? Look at how one such class was received in Southern California. Outline included of class structure.

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”

    Readers have expressed interest in examining my “music list” for this coming Sunday.

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    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”

    There’s a triple ‘allelúja’ and I just love the chord at the end of the 2nd iteration.

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    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”

    The following declaration will probably smack of “blowing my own horn.”

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    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

We should note that upon being opened up, the Scriptures proved to contain such “rich fare” that parts of the banquet were removed at once from the “table of God’s word,” lest they should prove indigestible to liberal stomachs. In twenty-two places the new lectionary expunges whole verses from the text of the Gospels used at Mass in order to remove references to the Last Judgment, the condemnation of the world, and sin.

— Fr. John Parsons (2001)

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