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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

EWTN Broadcast • Sacred Music by MacMillan + Eight Emerging Composers

William J. Fritz · July 7, 2023

Eight Young Composers selected to participate in the CSMP Composer’s Institute along with organist Benjamin LaPrairie, Sir James MacMillan, conductor Dr. Timothy McDonnell, and executive director Peter Carter

HIS COMING SATURDAY, (8 July 2023) at 7:00PM Pacific time, EWTN will be broadcasting a concert of 8 sacred choral pieces just composed three months ago as part of a Composer’s Institute organized by the Catholic Sacred Music Project (co-sponsored by the Benedict XVI Institute).  I was one of eight composers selected to spend a week composing and having tutoring with Sir James MacMillan in Alexandria, Virginia. Each day we had ample time to compose, have lessons, chat with each other and for rehearsals.  Above all we had the opportunity to attend holy Mass daily, and we capped the end of each day with sung Compline.  At the conclusion of the week, we had two premiere concerts, one of which was at the Franciscan Monastery of the Holy Land in the Americas.

The texts were all hymns from the office of the feast of Corpus Christi.  I personally received the Pange Lingua (Corporis Mysterium).  With the other composers receiving one of the hymns of the various hours.  The concert includes three pieces composed by MacMillan, of which Do Not Be Afraid received its American premiere.  This piece was composed for the funeral mass of Cardinal Pell, a friend of Sir James MacMillan.  I hope you are able to tune in!

I want to write a lengthier reflection on the week in a subsequent post, but the week was a tangible and powerful reminder that sacred choral music is alive and well, and that serious composers today take much inspiration from the sacred and theological texts of the Faith.  Taken together with MacMillan being one of the most performed living classical composers who puts his faith front and center—I believe there is a building movement towards revitalizing and renewing a culture that connects the Beautiful with the Divine.

You do not need a subscription to view on EWTN, as you can find it here, at their website for streaming.  The individual works are also available already on the Benedict XVI Institute’s YouTube Channel here.

A complete lineup of the concert:

A New Song, Sir James MacMillan

A Fantasy on Pange Lingua (Vespers), William J Fritz

Te lucis ante terminum (Compline), Michael Garrepy

Rector potens, verax Deus (Sext), Kristian Schembri

Iam lucis orto sidere (Prime), Sam Schiebe

Ave Maris Stella, Sir James MacMillan

Nunc, Sancte, nobis, Spiritus (Terce), Aidan Vass

Rerum, Deus, tenax, vigor (None), Zachary Landress

Verbum supernum (Lauds), Wilhelmina Esary

Sacris solemniis (Matins), Samuel Rowe

Do Not Be Afraid, Sir James MacMillan

Note:

There will be an encore broadcast on Friday, 14 July 2023, at 12:30 PM Pacific time.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 8, 2023

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About William J. Fritz

William J. Fritz currently serves as music director at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

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