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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

EWTN Broadcast • Sacred Music by MacMillan + Eight Emerging Composers

William J. Fritz · July 7, 2023

Eight Young Composers selected to participate in the CSMP Composer’s Institute along with organist Benjamin LaPrairie, Sir James MacMillan, conductor Dr. Timothy McDonnell, and executive director Peter Carter

HIS COMING SATURDAY, (8 July 2023) at 7:00PM Pacific time, EWTN will be broadcasting a concert of 8 sacred choral pieces just composed three months ago as part of a Composer’s Institute organized by the Catholic Sacred Music Project (co-sponsored by the Benedict XVI Institute).  I was one of eight composers selected to spend a week composing and having tutoring with Sir James MacMillan in Alexandria, Virginia. Each day we had ample time to compose, have lessons, chat with each other and for rehearsals.  Above all we had the opportunity to attend holy Mass daily, and we capped the end of each day with sung Compline.  At the conclusion of the week, we had two premiere concerts, one of which was at the Franciscan Monastery of the Holy Land in the Americas.

The texts were all hymns from the office of the feast of Corpus Christi.  I personally received the Pange Lingua (Corporis Mysterium).  With the other composers receiving one of the hymns of the various hours.  The concert includes three pieces composed by MacMillan, of which Do Not Be Afraid received its American premiere.  This piece was composed for the funeral mass of Cardinal Pell, a friend of Sir James MacMillan.  I hope you are able to tune in!

I want to write a lengthier reflection on the week in a subsequent post, but the week was a tangible and powerful reminder that sacred choral music is alive and well, and that serious composers today take much inspiration from the sacred and theological texts of the Faith.  Taken together with MacMillan being one of the most performed living classical composers who puts his faith front and center—I believe there is a building movement towards revitalizing and renewing a culture that connects the Beautiful with the Divine.

You do not need a subscription to view on EWTN, as you can find it here, at their website for streaming.  The individual works are also available already on the Benedict XVI Institute’s YouTube Channel here.

A complete lineup of the concert:

A New Song, Sir James MacMillan

A Fantasy on Pange Lingua (Vespers), William J Fritz

Te lucis ante terminum (Compline), Michael Garrepy

Rector potens, verax Deus (Sext), Kristian Schembri

Iam lucis orto sidere (Prime), Sam Schiebe

Ave Maris Stella, Sir James MacMillan

Nunc, Sancte, nobis, Spiritus (Terce), Aidan Vass

Rerum, Deus, tenax, vigor (None), Zachary Landress

Verbum supernum (Lauds), Wilhelmina Esary

Sacris solemniis (Matins), Samuel Rowe

Do Not Be Afraid, Sir James MacMillan

Note:

There will be an encore broadcast on Friday, 14 July 2023, at 12:30 PM Pacific time.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 8, 2023

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About William J. Fritz

William J. Fritz currently serves as music director at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

To end an impropriety, noticed particularly at orchestral Vespers, when two or three Psalms are sung with full orchestra, and then the other Psalms and the Hymn are rapidly hurried through with organ accompaniment only […] we order that at Mass all portions of the text, including “Agnus Dei,” be sung with orchestral accompaniment. […] Moreover, the musicians are not allowed to put the instruments away and leave their places before the conclusion of the sacred function.

— Cardinal Patrizi (18 November 1856)

Recent Posts

  • PDF Download • “Pope Pius XII Psalter” — English, Latin, and Commentary (532 pages)
  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)

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