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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

EWTN Broadcast • Sacred Music by MacMillan + Eight Emerging Composers

William J. Fritz · July 7, 2023

Eight Young Composers selected to participate in the CSMP Composer’s Institute along with organist Benjamin LaPrairie, Sir James MacMillan, conductor Dr. Timothy McDonnell, and executive director Peter Carter

HIS COMING SATURDAY, (8 July 2023) at 7:00PM Pacific time, EWTN will be broadcasting a concert of 8 sacred choral pieces just composed three months ago as part of a Composer’s Institute organized by the Catholic Sacred Music Project (co-sponsored by the Benedict XVI Institute).  I was one of eight composers selected to spend a week composing and having tutoring with Sir James MacMillan in Alexandria, Virginia. Each day we had ample time to compose, have lessons, chat with each other and for rehearsals.  Above all we had the opportunity to attend holy Mass daily, and we capped the end of each day with sung Compline.  At the conclusion of the week, we had two premiere concerts, one of which was at the Franciscan Monastery of the Holy Land in the Americas.

The texts were all hymns from the office of the feast of Corpus Christi.  I personally received the Pange Lingua (Corporis Mysterium).  With the other composers receiving one of the hymns of the various hours.  The concert includes three pieces composed by MacMillan, of which Do Not Be Afraid received its American premiere.  This piece was composed for the funeral mass of Cardinal Pell, a friend of Sir James MacMillan.  I hope you are able to tune in!

I want to write a lengthier reflection on the week in a subsequent post, but the week was a tangible and powerful reminder that sacred choral music is alive and well, and that serious composers today take much inspiration from the sacred and theological texts of the Faith.  Taken together with MacMillan being one of the most performed living classical composers who puts his faith front and center—I believe there is a building movement towards revitalizing and renewing a culture that connects the Beautiful with the Divine.

You do not need a subscription to view on EWTN, as you can find it here, at their website for streaming.  The individual works are also available already on the Benedict XVI Institute’s YouTube Channel here.

A complete lineup of the concert:

A New Song, Sir James MacMillan

A Fantasy on Pange Lingua (Vespers), William J Fritz

Te lucis ante terminum (Compline), Michael Garrepy

Rector potens, verax Deus (Sext), Kristian Schembri

Iam lucis orto sidere (Prime), Sam Schiebe

Ave Maris Stella, Sir James MacMillan

Nunc, Sancte, nobis, Spiritus (Terce), Aidan Vass

Rerum, Deus, tenax, vigor (None), Zachary Landress

Verbum supernum (Lauds), Wilhelmina Esary

Sacris solemniis (Matins), Samuel Rowe

Do Not Be Afraid, Sir James MacMillan

Note:

There will be an encore broadcast on Friday, 14 July 2023, at 12:30 PM Pacific time.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 8, 2023

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About William J. Fritz

William J. Fritz currently serves as music director at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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