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Views from the Choir Loft

Veronica Brandt • Article Archive

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. As editor, she has produced fine publications (as well as valuable reprints) dealing with Gregorian chant, hymnody, Latin, and other subjects. These publications are distinguished on account of their tastefulness. She lives in the Blue Mountains near Sydney, Australia, with her husband Peter and six children.—Read full biography (with photographs).

Veronica Brandt · June 1, 2013

As easy as (G)ABC

Including newly typeset Gregorian chant in your booklets has never been easier.

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Veronica Brandt · May 25, 2013

Top five resources for teaching chant to children

The staples in my bag for teaching Gregorian chant to an informal group of homeschoolers.

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Veronica Brandt · May 18, 2013

Sharing sacred music online

Putting books and booklets together by cut and paste.

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Veronica Brandt · May 11, 2013

Mothers as dwellings

It may seem like a very inefficient way to pass on the faith. Even having children close together that’s only about one new proselyte each year. Plus ongoing commitment for a good 18 years for each one. Surely in a digital age we can find the killer app to do this much more effectively!

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Veronica Brandt · May 4, 2013

Does music keep kids quiet at Mass?

Maybe music is not the instant solution, but definitely a help.

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Veronica Brandt · April 26, 2013

Arundel hymns

Chosen and edited by Henry Duke of Norfolk and Charles T. Gatty, with Inroductory letter from Pope Leo XIII., Preface, etc. Complete in one volume (553 pages), price 6s. net.

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Veronica Brandt · April 26, 2013

Divided we fall

Appealing to specific age groups weakens a parish.

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Veronica Brandt · April 20, 2013

Do-It-Yourself Hymnal: The impossible dream

There is no such thing as a perfect hymnbook or missal.

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Veronica Brandt · April 13, 2013

Maternal Heart of Mary Chapel (Sydney, Australia)

The liturgy there is beautiful. Sunday Mass usually begins with a rousing organ prelude. Then the priest intones the Asperges . . .

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Veronica Brandt · January 16, 2013

Biography • Veronica Brandt

Veronica has published a wide variety of Catholic publications . . .

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Every experienced choirmaster’s work is founded on the following three axioms: (1) Few boys have a really good natural voice; (2) No boy is able to control his voice and produce good tone without training; (3) Most boys have a good ear, and considerable imitative capacity. It is on the last of these axioms that the choirmaster must begin his work.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)
  • “Holy, Holy, Holy” transposed lower
  • Music List • (27th Sund. Ordinary Time)
  • A Mystery! — Re: the “Liber Usualis”
  • A Popular “Gloria” … in Dutch?

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