Views from the Choir Loft

Top five resources for teaching chant to children

Veronica Brandt · May 25, 2013

1. Jubilate Deo
This is a handy little booklet to have. For children who ask “Why?” this book shows the bare minimum of music for the Catholic Church all around the world.

2. Words with Wings
A chant instruction program for children. The layout is ideal for a weekly class with 20 lessons mapped out.

3. Gregorian Chant for Church and School or download the pdf
The first half has a whole lot of theory followed by a selection of pieces as an elementary repertoire. The chant is laid out with each syllable evenly spaced which seems odd.

4. A New Book of Old Hymns
This is my book, assembled back in 2003 or thereabouts with gradual improvements since then. The main features are: A) a mixture of hymns, rounds, litanies and some english hymns to fill in the gaps and B) English translations running underneath the Latin or in parallel columns.

5. If you can sing Joy to the World, you can learn to read and sing Gregorian Chant
This has lots of great big diagrams to explain different features of chant notation with colour coding to make it really easy.

Another book that didn’t make the photo, but still has a place in my bag is Catholic’s Latin Instructor for help with translations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

PDF Download • Vespers for the Dead

Mr. Albert Bloomfield kindly sent me “Vespers for the Dead”—which does not fulfill a priest’s obligation to pray the Divine Office, yet is often prayed when a loved one dies. Here is formatting A, and here it is again with formatting B.

—Jeff Ostrowski

20 October 2020 • “What we can’t share”

Almighty God has given to us the example of the Jesuit Martyrs of North America, whose feast day we celebrated yesterday. Of course, along with those eight martyrs we honor their associates, e.g Father François Bressani. I can’t share with you the torments Father Bressani underwent at the hands of Iroquois: it is too brutal. It would tear your heart out. But I will share what Bressani’s Superior said, after receiving a letter from him: “The letter is soiled and ill-written; because the writer has only one finger left on his right hand, and cannot prevent the blood from his wounds—which are still open—from staining the paper. His ink is gunpowder mixed with water, and his table is the earth.” If you have the stomach for it, read what Father Bressani (d. 1672) underwent for Jesus Christ. Let his example help us never fall into sins of impurity, avarice, ingratitude, or envy.

—Jeff Ostrowski

13 October 2020 • Chopin talks Bach

My “pianist pedigree” goes from my teacher through Wiktor Łabuński through Felix Blumenfeld, who studied with Anton Rubinstein. I always considered myself part of the “Bach-Mozart-Chopin school” as opposed to the “Handel-Beethoven-Liszt school.” (Needless to say, there’s great overlap between these schools.) Before giving a concert, Frédéric Chopin would always shut himself up in a room and play through Bach’s Well-Tempered Clavier. The year Chopin died, he spent considerable time with the painter, Eugène Delacroix (d. 1863), who recounts hearing Chopin launch into a monologue on the transcendence of J.S. Bach, insisting that “the fugue is like pure logic in music,” and that “to know fugue deeply is to be acquainted with the element of all reason and all consistency in music.”

—Jeff Ostrowski