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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · October 6, 2017

Three Entrance Antiphons for the Celebration of Marriage

Free Download: Three Entrance Antiphons For the Celebration of Marriage

Richard J. Clark · September 8, 2017

Saint Paul’s Choir School • New CD with AimHigher Recordings/Sony Classical

“When I introduce young minds to the beautiful heritage of Church music, it’s always amazing to see just how much they love the great music we have been given.” — John Robinson

Richard J. Clark · September 1, 2017

Implement Vatican II • Pope Francis Invokes “Magisterial Authority”

The liturgical battle over celebrating Mass “ad orientem” is insignificant at this time. Far more important is reverent liturgy and the proper implementation of Vatican II.

Richard J. Clark · August 21, 2017

Ministry of Consolation • A Case for Congregational Singing at Funerals

“If you, the bereaved, cannot give voice to your grief in this moment, we shall do it for you.”

Richard J. Clark · August 11, 2017

“That’s not Eucharistic” • Why We Sing the Communion Antiphons

What does the Incarnation have to do with the Communion Procession? A great deal.

Richard J. Clark · July 28, 2017

The “Charism” of Saying “No”

The ability to say “no” is an important gift of which much good can come, if used with wisdom, mercy, and kindness.

Richard J. Clark · July 14, 2017

Culmen Et Fons 2017 • On Liturgical Formation • September 18-22

“[T]he parish has seen an astonishing increase in Mass attendance and financial stewardship owing in large part to the addition of a weekly traditional Latin Missa Cantata, use of handcrafted Roman vestments, emphasis on sacred music…”

Richard J. Clark · July 1, 2017

On Emptiness, Wisdom, and Fortune • Music and Discernment

Music and Discernment

Richard J. Clark · June 24, 2017

“Do not let anyone make you feel discouraged.”

Made in God’s image? Really? That’s debatable from my all too human eyes. By the way, I’ve got huge planks in both of them.

Richard J. Clark · June 9, 2017

I forgot to tell them it’s supposed to be hard.

It never occurred to him that this would be hard, or that he wouldn’t do well. He just thought it would be fun.

Richard J. Clark · June 8, 2017

Introit • Solemnity of the Most Holy Trinity • Free Download

Free download of an Introit for Holy Trinity (Years A&B). English text; SATB, organ, schola/cantor, and congregation.

Richard J. Clark · June 2, 2017

Entertainment in the Liturgy and Our True Responsibility

In the words of Kurt Cobain, “Here we are now, entertain us.” Sometimes, our jobs can feel this way. But church musicians have responsibilities that are anything but entertainment.

Richard J. Clark · May 26, 2017

Pastorally Imperative: They are all we have.

To sing in prayer and with joy is pastorally imperative for they are all we have.

Richard J. Clark · April 28, 2017

The Older I Get…

The older I get, the more I spend on these. If not, what good am I to the prayer of the people?

Richard J. Clark · April 21, 2017

The Dedication of a Church • The Shrine of Our Lady of Good Voyage, Boston

The Dedication of a Church is a rare event in anyone’s lifetime.

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

Recent Posts

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  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

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