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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

The Older I Get…

Richard J. Clark · April 28, 2017

HE PIPE ORGAN changed my life. I was a pianist as a child and I avoided playing the organ because the only organs I ever heard were electronic instruments that were not played very well. Why play hymns on the organ when you can play Chopin and Beethoven on the piano?

A lot has changed since! A life-changing moment was playing a real pipe organ for the first time and hearing a simple 8’ flute stop resonate throughout an empty church. My life has never been the same since.

What followed were studies in counterpoint and organ performance including repertoire from French and German Baroque to contemporary classical composers. I devoted my craft to years of study and practice of such repertoire. Registration is an essential art and science. Appropriate tempo, articulation, and registration depend on architecture and the tonal design of the organ. Adaptability, yet striving for authentic historic practice has been my life.

For church, the vast majority of practice was on preludes and postludes. Hymns were nothing. Easy, right?

GAIN, MUCH HAS CHANGED. Not that focusing on repertoire is not important. It is. But the older I get, the more time I spend on practicing hymns, even ones I have played for decades. (Hymn playing alone is an art!) The older I get, the more time I spend practicing the congregational antiphons and responses. The older I get, the more time I devote to making sure I can conduct clearly—perhaps while singing one of the choral voices all from the organ console.

If the choir doesn’t respond the way I like them to, perhaps I should conduct better. If the congregation doesn’t sing comfortably, perhaps I should adjust the tempo or registration.

Playing daily Mass and singing each verse of every hymn will influence one’s view. Type setting hymns and antiphons for worship aids will heighten one’s awareness of the quality (or lack thereof) of any text.

Hymns are important. Hymnals are important. Liturgical texts are important. Making the congregation’s job easier to sing these is the ultimate goal. The older I get, the more I spend on these. If not, what good am I to the prayer of the people?

Finally, this often begs an important question: Who is the leader of song anyway? Read. And practice.

Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

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