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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · September 6, 2022

PDF Download • “Organ Interludes—including pedals—on Plainchant Melodies” (55 pages)

Father Ould and William Sewell (organist at the Birmingham Oratory of Saint Philip Neri) produced an impressive collection.

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Jeff Ostrowski · September 1, 2022

“Face-To-Face” • Card. Roche + Pope Emeritus B16

Cardinal Roche met with Pope Emeritus Benedict XVI on 27 August 2022.

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Jeff Ostrowski · August 31, 2022

“Intriguing Quote” • Msgr. Richard J. Schuler

“The new 𝑀𝑖𝑠𝑠𝑎𝑙𝑒 𝑅𝑜𝑚𝑎𝑛𝑢𝑚 of Pope Paul VI is essentially the same missal that was in use from the time of the Council of Trent…” — Msgr. Richard J. Schuler

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Jeff Ostrowski · August 30, 2022

PDF Download • “Tantum Ergo” Two-Part Interlude (Manuals Only) by Flor Peeters

Including a stunningly gorgeous (and rare!) hymn by Flor Peeters.

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Jeff Ostrowski · August 29, 2022

“Did The Pope Really Say That?” • Re: Solesmes Rhythm

My response to the recent article by Professor Charles Weaver.

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Jeff Ostrowski · August 29, 2022

Heavy Crosses Borne by Choirmasters

In my 25 years as a choirmaster, I’ve witnessed hypocrisy and mistreatment that would make your head spin.

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Jeff Ostrowski · August 25, 2022

Have You Done This?

Friends, have you done this yet? I’m talking about subscribing to our free mailing list. We beg you! Do this as soon as possible. Scroll to the bottom of any article, and you will see the place you input your email.

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Jeff Ostrowski · August 25, 2022

“New Gregorian Chant Project” • Part 2

Using this coming Sunday (12th Sunday after Pentecost) as an example.

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Jeff Ostrowski · August 23, 2022

PDF Download • Organ Accompaniment for Kyrie VIII (“Missa de Angelis”) by Jeff Ostrowski

I consider this my best organ accompaniment … I hope you like it!

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Jeff Ostrowski · August 20, 2022

“New Section 2” • (Piecemeal Agnus Dei)

A wonderful way to get volunteers singing SATB polyphony immediately!

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Jeff Ostrowski · August 17, 2022

PDF Download • Extremely Rare! — 1913 “Vesperale” by Schwann (954 pages)

Today’s release will go down in history!

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Jeff Ostrowski · August 15, 2022

PDF • “Organ Interludes” (Manuals Only)

In graduate school, one is taught a valuable lesson: if you emphasize everything, nothing is emphasized. In other words, putting every other word in bold or italic (or both) wrecks your paper. I never to use the word “best”—but today I make an exception. The book of organ interludes released today by my colleague is […]

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Jeff Ostrowski · August 15, 2022

“Wild Accompaniment” • Flor Peeters (Kyrie VIII)

Kyrie “Missa de Angelis”—recorded yesterday by a volunteer choir.

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Jeff Ostrowski · August 9, 2022

“Could Women Sing At Mass Before Vatican II?”

Does this sound like a “hymn” to you? Or does it sound like a “chant” composition?

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Jeff Ostrowski · August 8, 2022

PDF Download • “Salve Regina” (32 Versions)

In this article, I examine the elusive provenance of what some have called “the most popular piece of plainsong.”

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“Saint Pius X restored to the faithful the two essential means of participation: communion and chant. Unfortunately, owing to prevailing ideas and circumstances, there was a tendency (it still persists) to separate the two, and one consequence of the increase of communions has been the desertion of high Mass; a distinction has grown up between communion Mass (anomalous term) and sung Mass, as if the two were incompatible.”

— Lancelot Capel Sheppard (22 Jan 1955)

Recent Posts

  • Eucharistic Prayer No. 2 on Sundays?
  • “Panis Angelicus” • Organ Accompaniment (7 Pages)
  • 1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)
  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings

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