The First Time We’ve Ever Done This Correctly!
Abbot Pothier included a section called “De Ritibus Servandis In Cantu Missae.”
Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).
Abbot Pothier included a section called “De Ritibus Servandis In Cantu Missae.”
When a monk hears the bell, he stops whatever he’s doing and immediately goes to prayer. It is the voice of God calling us to pray, to avoid sin, and to forget the things of this world and think of Him.
Attendance was standing room only. Afterwards, the children presented roses to Mary—as the entire parish prayed the Rosary—and then we consecrated California to Jesus Christ.
As the Gloria during Mass suggests, we should “thank Him simply because of His great glory.” When is the last time you did that?
My recent post on the repercussion has induced some to ask: “Can we just sing whatever rhythm we want for the Vatican Edition? What about mensuralism? What about Bonvin and Vollaerts?” For those of us who work in the Extraordinary Form, we must follow the rhythm of the Editio Vaticana, and this was addressed in […]
Consider the melody found in “Le Graduel Romain,” published in 1800—nine years before Napoleon Bonaparte kidnapped Pope Pius VII
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Before the reforms of the “Code of Rubrics” (1961), antiphons at Vespers were abbreviated in a cool way. For example, look at this antiphon, Ecce Veniet (from Vespers on the 4th Sunday of Advent). But that tradition—as far as I know—ended in 1961, with §191 which said: “The whole antiphon is always said before and […]
Each monastery had its own particular way of singing plainsong.
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Yes, these are extraordinary times—and they require something extraordinary from us.
One who translates Aquinas expects to be cross-examined by those who understand philosophy and Latin; but Bible translators are liable to be cross-examined by anybody, because everybody thinks he knows what the Bible means.
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It happened during the “Mass of the Presanctified” celebrated on Good Friday, 30 March 1877.
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The Solesmes rhythmic markings, which often contradict the official rhythm, do such damage to the antiphons of the Divine Office that—in my humble opinion—they should be abandoned. (In reality, this will never happen.) But sometimes, they do great damage to the melody of the Graduale Romanum, and I would offer the Offertory for the 1st […]
A curious translation which Father Lasance “borrowed” for the Ash Wednesday Introit…
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The entire edition was destroyed in a fire (circa 1866) except four rare copies.
Certain Latin words are constantly mispronounced. For example, Carl Orff’s Carmina Burana is supposed to be pronounced “Cármina” but people frequently pronounce it as “Carmína”—wrong! Another example: Nova organi harmonia is supposed to be pronounced “órgani” but many people erroneously say “orgáni.” A somewhat tricky word is incipit. In Latin, it would be “íncipit” while […]
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