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The editor of the Sacred Music Magazine recently made available to the public this splendid article by our own Charles Weaver. It includes an edition of polyphony for the GOOD FRIDAY “Reproaches.” Renaissance composers often set the various offices of Holy Week; e.g. readers will probably be familiar with the beautiful TENEBRAE setting by Father […]
The truth is stranger than fiction.
Then he got really angry (because it dawned on him what he’d just admitted).
A few weeks ago, dates were announced for Sacred Music Symposium 2023. The rehearsal videos are beginning to appear! For example, the KYRIE ELEYSON contains sections by Lassus, Victoria, and Palestrina. You can see and hear Part 1 at this link. Much more information about this wonderful conference will be released soon!
A choir member alerted my wife to this video by Scott Hahn. You perhaps recognize a piece that’s been highly promoted by Corpus Christi Watershed: viz. Father Guerrero’s “Sanctus” from Missa Iste Sanctus. I would be interested to learn which choir made the recording (which heavily abbreviates the piece) and whether they used our rehearsal […]
There must have been a need for such a booklet, otherwise he would not have gone to the trouble of creating it!
If your priest approaches you after Mass and says the music sounded horrible, it’s incorrect to reply: “Well, that’s how it’s supposed to be.”
A few years ago, I had valuable books stolen. Recovery efforts with law enforcement have failed, so I’m reaching out to our readers. Can somebody help me obtain VOLUME II and VOLUME VIII of the Nova organi harmonia published in the 1940s and 1950s by the LEMMENSINSTITUUT? As far as I can tell, these volumes can’t […]
The internet is putting good people in touch with one another.
The example chosen is the strenuous offertory (“Jubiláte Déo”) for the 2nd Sunday after Epiphany.
If memory serves, his exact words were: “Gee, I never thought about that before.” Astonishing!
In addition to this rare book by Max Springer (870 pages), I release the draft copy of a new Gregorian project (157 pages).
Musicians can have a stronger voice than even the legendary Fulton J. Sheen!
“These manuscripts had to be sought out in the public or capitular libraries, whose conservators were often hardly supportive of—if not outright hostile to—the reproduction of their treasures.”
Father Ralph March wrote: “If any single man could deserve the title father of the renewed chant it would be Dom Joseph Pothier.”
