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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · March 5, 2022

“Communion Hymn For Lent” • (Rec. 3/4/2022)

I believe many choir members will stop coming back if the music is always the same.

Jeff Ostrowski · March 5, 2022

IMPORTANT • Stunning News From Rome!

In this meeting—and subsequent statement—Pope Francis made it clear that institutes like the FSSP are not affected by “Traditionis Custodes.”

Jeff Ostrowski · March 5, 2022

Marvelous News From Pope Francis!

Two members of the Priestly Fraternity of Saint Peter recently met with Pope Francis at the Vatican. (You can read the whole story.) The Pope insisted that the FSSP should be “preserved, protected, and encouraged.” Moreover, Pope Francis made it clear that institutes such as the Fraternity of Saint Peter are not affected by the […]

Jeff Ostrowski · March 2, 2022

Does Your Musical Program Have Balance?

What I’ve labeled “musical diversity” could also be thought of as “balance.”

Jeff Ostrowski · February 27, 2022

PDF Download • Quinquagesima Vespers

I created a booklet for my choir. (The congregation already has their own booklet). This booklet is for Quinquagesima Vespers, and you can download it if you desire. Print on “double sided” and the booklet will come out correctly. The polyphonic Magnificat is not included in that booklet, since the choir members have it in […]

Jeff Ostrowski · February 26, 2022

FEEDBACK • 25 February 2022

We love receiving mail from our readers. Here are two messages we received today from two different music directors in Canada: (1) “We are a small Schola in Yukon, Canada and love your practice videos repertoire.” (2) “Thank you so much for the indispensable work that you are doing to rebuild the musical life of […]

Jeff Ostrowski · February 26, 2022

PDF Download • Missa Philomena (Philippe Verdelot)

This music is from a much earlier period; and you can tell.

Jeff Ostrowski · February 26, 2022

“Common” Hymn Tunes? • Another Example

The first text is for the “pre-Lent” season…

Jeff Ostrowski · February 24, 2022

Cardinal Cupich’s Diocese • “What Mass Looks Like”

The “primary cross” for most young men has to do with temptations against the 6th Commandment.

Jeff Ostrowski · February 22, 2022

PDF Download • No More OCP “Breaking Bread”

This powerful response—by a Catholic priest—is without question one of the most fascinating things I’ve ever read.

Jeff Ostrowski · February 19, 2022

A Fugue that “explains” itself

One of my choir members sent me this Ontological Fugue. If you can get past the performance—which is terrible (perhaps on purpose)—you will learn an awful lot about fugues. In my opinion, whoever created that score is a genius! It would be awesome to know from a professional theorist, such as Charles Weaver, whether they […]

Jeff Ostrowski · February 18, 2022

Eucharistic Hymn • By a Jesuit Martyr Priest

English has words whose meanings directly contradict each other (such as “cleave” or “sanction”).

Jeff Ostrowski · February 16, 2022

Sound superb! … with just 2 minutes of rehearsal

I’m someone who harbors an irrational fear of anything I’m not familiar with.

Jeff Ostrowski · February 13, 2022

“Alleluia” • Gone For Good?

Two days ago, Bishop Ronald Fabbro of London (Ontario) released a rigid decree. Much could be said, but let’s take just one item. Bishop Fabbro demands that everyone adhere to “the celebration of Mass as found in the new Roman Missal (2011).” Then, in the very next sentence, he rigidly demands that all priests celebrate […]

Jeff Ostrowski · February 12, 2022

Attention! • “15,283 Signatures … More Needed”

I’m generally against online petitions, but here’s the thing…

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

Recent Posts

  • “Translations Approved for Liturgical Use”
  • “Sacred Music Pilgrimage to Italy” with Grace Feltoe
  • Dr. Mahrt explains the ‘Spoken’ Propers
  • PDF • “Music List” (1st Sunday of Advent)
  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

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