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“In nothing are English Catholics so poor as in vernacular hymns. The real badness of most of our popular hymns (endeared, unfortunately, to the people by association) surpasses anything that could otherwise be imagined.” —Father Fortescue
As Americans, we’re “bred from birth” to think of ourselves as little gods who already know everything and require no correction.
The organ accompaniment booklet (24 pages) which I created for the 4th Sunday of Lent (“Lætare Sunday”) may now be downloaded, for those who desire such a thing.
This is probably too late … but there’s always next year!
Let there be no mistake about it: Dom Mocquereau (illicitly) added the “salicus” in hundreds of places where the official edition has none.
Although it’s a hideous accompaniment, I’ve added the harmonization by Monsignor Franz Nekes to this collection of nineteen organ accompaniments for the Easter Sunday Sequence: Víctimæ Pascháli Laudes. Once upon a time, Monsignor Nekes was a very popular composer, known as “The German Palestrina.”
Sung according to the official rhythm of the Catholic Church.
“If you begin by telling a man that in a word like 𝐷𝑒𝑢𝑠 the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the only thing accomplished will be to bewilder him thoroughly.” —Father Bewerunge
The organ accompaniment I created for the 3rd Sunday of Lent (“Extraordinary Form”) may now be downloaded, if anyone is interested in this.
This volume has been professionally scanned—and you’ll love the results!
Listening to this Easter Alleluia—an SATB arrangement I made twenty years ago based on the work of Monsignor Jules Van Nuffel—one of our readers left this comment: “I get tears in my eyes each time I sing to this hymn.” I hope this person is weeping for joy!
To withdraw the pipe organ no longer has the impact it once did.
Jesus Christ “will not snap the staff that is already crushed, nor put out the wick that still smolders.”
What does it mean to “renew” a choir?
By March 1596 Marenzio had arrived in Poland. In October of that year, he directed a Mass he’d written in the form of an “echo.”
