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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · August 21, 2021

“Homily: 13th Sunday after Pentecost” (EF) • Father Valentine Young, OFM

Some people—when they pray the Our Father—believe the words “Thy will be done” actually mean “My will be done…”

Jeff Ostrowski · August 20, 2021

+ Archbishop from Australia

Most Rev’d Dins J. Hart—Archbishop of Melbourne from 2001 to 2018—wrote as follows in 2007: “From my youth I have valued and loved the traditional Mass of the Roman Rite. Since 1970, I have grown to love the Missal of Paul VI. I am delighted that the Missal of Blessed John XXIII has been restored […]

Jeff Ostrowski · August 17, 2021

A Teaching Moment • Including “Hail, Holy Queen Enthroned Above”

Why on earth does the cost of butter matter?

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Jeff Ostrowski · August 17, 2021

+Di Noia Publicly Denigrates TLM

Archbishop Di Noia recently claimed that the Faithful’s hunger for the Traditional Mass “has gotten totally out of control and become a movement, especially in the United States, France, and England…” The former vice-president of Ecclesia Dei declared that “Pope Francis is right to see in the repristination of the pre-conciliar liturgy at best a […]

Jeff Ostrowski · August 14, 2021

PDF Download • “Vespers Booklet” (15 August, Assumption) — 20 pages

Also included, an organ accompaniment (23 pages) for this booklet.

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Jeff Ostrowski · August 14, 2021

PDF Download • “Ave Maris Stella” (Organ Accompaniment)

The second part has blank staves—so you can compose your own organ harmonies!

Jeff Ostrowski · August 13, 2021

“Part 3 of 3” • Guerrero Kyrie for Our Lady

This is—perhaps—the most phenomenally gorgeous piece ever written.

Jeff Ostrowski · August 12, 2021

PDF Download • Hymn for the Assumption • (Soprano, Alto, Tenor, Bass)

This hymn was originally for the Assumption, but now can be used on various Marian feasts.

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Jeff Ostrowski · August 11, 2021

“Feast of All Saints” • Do You Know This Hymn?

All Saints—November 1st—will be here before you know it!

Jeff Ostrowski · August 9, 2021

PDF Download • “A Very Sloppy Accompaniment”

What I played from yesterday…

Jeff Ostrowski · August 8, 2021

8 August 2021 • “More on the Moræ”

If you look at the 1961 Solesmes Gradual for the 11th Sunday after Pentecost, you will see that somebody in the 1960s was trying to figure out the “melismatic moræ vocis” (a.k.a. “Vaticana white notes”) which we have spoken of so frequently on this blog.

Jeff Ostrowski · August 7, 2021

Hymn For The Transfiguration (6 August) • “Recorded During Choir Rehearsal”

An English translation by Robert Campbell of Skerrington (d. 1868), who was a convert to the Catholic Faith.

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Jeff Ostrowski · August 6, 2021

PDF Download • Alleluia (SATB) by Morales for “Ordinary Form” + “Extraordinary Form”

This piece works well in the “OF” (Ordinary Form) and also the “EF” (Extraordinary Form).

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Jeff Ostrowski · August 5, 2021

“Talking To Dead Composers” • Part 2

Including a live recording (without organ) of “Alleluia, Sing To Jesus” by a volunteer choir.

Jeff Ostrowski · August 4, 2021

It Finally Happened.

Father Valentine used to say: “The cemeteries are full of people who thought they were indispensable.”

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Of course, the Latin language presents some difficulties, and perhaps not inconsiderable ones, for the new recruits to your holy ranks. But such difficulties, as you know, should not be reckoned insuperable. This is especially true for you, who can more easily give yourselves to study, being more set apart from the business and bother of the world.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • PDF Download • “2025 Booklet for Participants for the Sacred Music Symposium” — (155 pages)
  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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