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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · May 27, 2023

PDF • “For General Use Until Advent”

If you conduct a volunteer choir, you might consider using this Simple Piece #40273 (“Adésto Sáncta Trínitas”) which can be used during the rest of the liturgical season until Advent. It’s based on the well known hymn tune: OLD HUNDREDTH. Rehearsal videos are available at #40691. A live recording of #40273 (“Adésto Sáncta Trínitas”) by […]

Jeff Ostrowski · May 26, 2023

“Are Church Musicians Paid Enough?” • 5 Solutions

With a digression on Corrinne May’s upcoming presentation.

Jeff Ostrowski · May 24, 2023

Analysis • “Archaic and Quack Ideas on Chant”

“Gentlemen: Nobody is going to follow the archaic and quack ideas on Chant you are trying to propagate.” Mr. John Sandar

Jeff Ostrowski · May 23, 2023

“Singing Advice” • Frank Sinatra to Ronald Reagan

Did Dom Mocquereau compose any official plainsong pieces included in the official edition? He did!

Jeff Ostrowski · May 19, 2023

Introit • (This Coming Sunday)

Our volunteer choir appreciates training videos, so here’s my attempt at recording “Exáudi Dómine Vocem Meam,” which is the INTROIT for this coming Sunday. This coming Sunday is Dominica Post Ascensionem (“Sunday after the feast of the Ascension”). It is sung according to the official rhythm of the Catholic Church.

Jeff Ostrowski · May 19, 2023

“Daily, Daily, Sing to Mary” • (Hymn)

My colleague, Patrick Williams, has given me permission to share with our audience a recording his choir made.

Jeff Ostrowski · May 18, 2023

Sacred Music • Inspiring Letter From “Jane Doe”

Letters like this prove there are still awesome people in this world!

Jeff Ostrowski · May 17, 2023

Understanding “Bewitched” Can Help You Appreciate Classical Music

There was no explanation given for why “Darrin Stephens” was suddenly a completely different person.

Jeff Ostrowski · May 16, 2023

Gregorian Rhythm Wars • “Jeff’s Third Response to Patrick” (16 May 2023)

I don’t think our readers are interested in what we say about Gregorian rhythm—they’re interested only in what we can demonstrate.

Jeff Ostrowski · May 16, 2023

Volunteer Choir Attempts “Kýrie Eléison”

My volunteer choir attempted the polyphonic KYRIE that will be sung at this year’s Sacred Music Symposium. If you’re interested, you can listen to the live recording from last Sunday. The piece is based on the ancient plainchant hymn melody: Ave Maris Stella. Polyphony like this is truly intricate and wonderful. It reminds me of […]

Jeff Ostrowski · May 16, 2023

PDF Download • César Franck Book of Gregorian Chant Accompaniments (156 Pages)

“The organ is so universally used as an accompanying instrument today that there is a pressing need to provide a written accompaniment…” —César Franck

Jeff Ostrowski · May 16, 2023

FEEDBACK • 15 May 2023

From a reader in New Hampshire: “I just love your articles and resources! You provide an excellent resource!”

Jeff Ostrowski · May 11, 2023

PDF Download • Extremely Rare! Organ Accompaniment Book (165 pages)

Including an “added bonus” I discovered while researching Julius Bas (an Italian musicologist and organist).

Jeff Ostrowski · May 10, 2023

7 Suggestions • “Winning the Sacred Music Crusade”

If we truly believe what we say we believe, how can we allow goofy, off-Broadway, secular, casual music at Mass?

Jeff Ostrowski · May 9, 2023

Vespers Accompaniment Booklet

A VESPERS ACCOMPANIMENT BOOKLET (20 pages) for this coming Sunday—the 5th Sunday after Easter—can now be downloaded. Those who sing Vespers exactly as given in the ANTIPHONALE ROMANUM will notice that all five psalms for Eastertide are sung according to the exact same tone with the exact same differentiæ. Can someone explain why this is? […]

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“And thus, when we renounce for Thee | Its restless aims and fears, | The tender mem’ries of the past, | The hopes of coming years, | Poor is our sacrifice, whose eyes | Are lighted from above; | We offer what we cannot keep, | What we have ceased to love.”

— Blessed John Henry Cardinal Newman

Recent Posts

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  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

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