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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · December 19, 2024

“Entrance Chant” • 4th Sunday of Advent

Like so many Advent antiphons, this one is in the first mode and comes from the prophet Isaiah.

Jeff Ostrowski · December 18, 2024

Communion (4th Sunday of Advent)

It certainly seems like most of the Advent antiphons come from the book of Isaiah…

Jeff Ostrowski · December 18, 2024

PDF Download • New Version of “What Child Is This” (SATB) … as of 18 December 2024

A different version was requested. I was able to complete that task earlier today.

Jeff Ostrowski · December 17, 2024

PDF Download • “Order of Music” (Funerals)

I have made some changes to my “musical list” for funerals.

Jeff Ostrowski · December 17, 2024

PDF Download • “The First Nowell” in Latin — Simplified Version (2024) for Choir & Organ

If you have items you’d like to learn (such as how to make multi-track rehearsal videos) please email them to us.

Jeff Ostrowski · December 15, 2024

‘Live’ Audio Sample (Dec. 2024)

It’s ‘live’—so you can hear babies crying, the sound of the priest incensing the altar, and so forth.

Jeff Ostrowski · December 14, 2024

PDF • “Music List” for the 3rd Sunday of Advent

Readers have expressed interest in perusing the “music list” I’ve prepared for this coming Sunday.

Jeff Ostrowski · December 13, 2024

PDF Download • “What Child Is This?” (SATB arr.)

In my view, this one falls within the “Top Ten” list of Christmas carols.

Jeff Ostrowski · December 12, 2024

CCW • Appeal at Year’s End

As 2024 comes to a close, we could really use your financial support…

Jeff Ostrowski · December 11, 2024

Richard J. Clark Featured in ‘Boston Pilot’ Newspaper: “Our Children & Sacred Music”

“My most important vocation is not that of a musician but as a husband and a father to my four children.” —Richard J. Clark

Jeff Ostrowski · December 10, 2024

Re: Sacred Music Symposium 2025

Since a new month has arrived, it’s my pleasure to remind you that…

Jeff Ostrowski · December 8, 2024

“Entrance Chant” • 3rd Sunday of Advent

This Introit is in the first mode.

Jeff Ostrowski · December 7, 2024

For The Record …

It strikes me as quite “Adventy”—for lack of a better term.

Jeff Ostrowski · December 7, 2024

PDF • “Advent Kyrie Accompaniment”

Kyrie XVII: “In dominicis Adventus et Quadragesimae.”

Jeff Ostrowski · December 6, 2024

Music List • (Immaculate Conception)

Readers have expressed interest in perusing the “music list” I’ve prepared for this feast.

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The liturgy needed reform by 1965; there was no call for dismantling it. It was intended that the vernacular would enhance the Latin, not supplant it. It was not, emphatically, the mind of the Council Fathers to jettison Gregorian Chant, or to encourage the banal secularization of Church music, so as now to surpass in crudity the worst aberrations of the Howling Pentecostals.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (9 July 1971)

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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