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Corpus Christi Watershed

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · October 6, 2025

“Reminder” — Month of October (2025)

Since a new month has arrived, it’s my pleasure to remind you that…

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Jeff Ostrowski · October 4, 2025

“American Catholic Hymnal” (1991)

This one book contains and memorializes every horrible idea from the 1980s.

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Jeff Ostrowski · October 4, 2025

Involving Women in the Communion?

Not long ago, I received a weird telephone call from a man appointed “director of music” for a large USA diocese.

Jeff Ostrowski · October 3, 2025

“Music List” • 27th in Ordinary Time (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Jeff Ostrowski · October 2, 2025

Kids’ Choir Sings Thomas Aquinas

Last Sunday, a children’s choir I’m teaching sang with us for the first time.

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Jeff Ostrowski · October 2, 2025

Prex • Particularly Powerful

“O God, who dost mend what is shattered, and what thou hast mended, ever dost preserve…”

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Jeff Ostrowski · September 30, 2025

Good News From The Vatican

This concerns you!

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Jeff Ostrowski · September 27, 2025

“Music List” • 26th in Ordinary Time (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Jeff Ostrowski · September 27, 2025

“Reminder” — Month of September (2025)

It’s my pleasure to remind you that…

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Jeff Ostrowski · September 26, 2025

PDF Download • Communion (26th Sn. Ord.)

This Communion antiphon sparkles with beauty.

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Jeff Ostrowski · September 25, 2025

PDF Download • “Hymn by Father Thomas à Kempis” (arranged for 2 voices)

For the upcoming feast on 9 November (which replaces the Sunday Mass).

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Jeff Ostrowski · September 24, 2025

“Canonic” • Ralph Vaughan Williams

This is quite a clever arrangement of “Come down, O love divine.”

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Jeff Ostrowski · September 22, 2025

Did they simplify these hymn harmonies?

Looking through a (Roman Catholic) German hymnal printed in 1952…

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Jeff Ostrowski · September 22, 2025

Can You Identify This “Mystery” Hymn Tune?

Kevin Allen is currently in France.

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Jeff Ostrowski · September 21, 2025

PDF Download • “Side-By-Side Comparison”

Re: the special hymn for the upcoming feast (9 November).

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Corpus Christi Watershed

President’s Corner

    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski
    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

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    —Jeff Ostrowski
    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

Recent Posts

  • Garnier Alleluias • “Have They Moved?”
  • PDF Download • 1950s Hand Missal including “Priest Photographs” at Mass (944 pages)
  • “Predictable Rhymes?” • A Follow Up
  • Absolutely ‘Perfect’ Voice-Leading?
  • “The Choirmaster Survey” • Update on 29 July 2026

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