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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · June 5, 2015

Eerie Silence After Cardinal Sarah’s Testimony

Cardinal Sarah has committed an “unforgivable sin” in the opinion of progressive liturgists.

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Jeff Ostrowski · June 4, 2015

Order of Worship • “Mass VIII” — High Resolution Images

It seems many wish to include Mass VIII in their program booklets.

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Jeff Ostrowski · June 3, 2015

Finding A Liturgical Context

A very important article recently appeared in the Adoremus Bulletin.

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Jeff Ostrowski · June 2, 2015

“Lauda Sion” • Rehearsal Video With Translation By Saint Robert Southwell, Jesuit Martyr

Many of the big publishing companies skip the Corpus Christi Sequence—they literally leave it blank.

Jeff Ostrowski · June 1, 2015

GIA Publications: “Painful Blessing Of A New Sensitivity”

I really don’t “get” the lyrics in Catholic hymnals by the major publishers.

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Jeff Ostrowski · May 30, 2015

Musical Resources • Trinity Sunday (1962 Missal)

The last time we sing “Vidi Aquam” is Pentecost Sunday; now we go back to “Asperges Me.”

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Jeff Ostrowski · May 28, 2015

Coolest Liturgical Image Of All Time?

Fantastic photograph taken by our organist during Mass on Sunday…

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Jeff Ostrowski · May 28, 2015

Polyphony (3 voices) by Morales with Hymn (2 voices) for the Holy Trinity

Including rehearsal videos and special 13th-century hymn to the Most Holy Trinity.

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Jeff Ostrowski · May 26, 2015

You Will Want To Print This Liturgical Article

“Once familiar features of the preconciliar rite are now as remote to us as some obscure aboriginal ritual.” —Msgr. McManus (1980)

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Jeff Ostrowski · May 25, 2015

Claude 17680

Partial Index (Incomplete) Green italic = hymn Number  ·  Orange bold = page number We know this list is incomplete and some numbers are inaccurate A Ach, erhöre, was wir bitten109 · 258 [6] · 475 Ach, Gott, mein letztes Ziel und End’142 · 348 Ach, Jesus, ach unschuldig Blut138 · 311 Advent, 1. Amt73 […]

Jeff Ostrowski · May 25, 2015

Flashback • Pope Benedict XVI (Pentecost 2008)

For reasons I don’t fully understand, this chasuble was only worn once.

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Jeff Ostrowski · May 25, 2015

The Movie “I Confess” Shows A Liturgical Sensibility

Throughout the movie, Hitchcock seems to imitate the liturgy.

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Jeff Ostrowski · May 22, 2015

“Veni Creator Spiritus” • With An English Translation By Fr. Adrian Fortescue

A plenary indulgence can be gained by singing the “Veni Creator Spiritus” publicly on Pentecost.

Jeff Ostrowski · May 22, 2015

Resources • Pentecost Sunday (1962 Missal)

On Pentecost Sunday, the FSSP Superior General will visit our parish.

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Jeff Ostrowski · May 20, 2015

Review • “American Catholic Hymnbook” (1992)

“Hymns that are directed to the Trinity should not be used, no matter how familiar they may be.”

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Corpus Christi Watershed

President’s Corner

    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

Recent Posts

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  • Test Your Gregorian Chant Knowledge!
  • “Worst Teacher the World Has Ever Seen”

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