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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · December 17, 2013

“The Church has been called to move on.” — GIA’s Worship IV Hymnal

What is the purpose of a Procession? Is this statement true?

Jeff Ostrowski · December 16, 2013

Francis Clashes With Former Head Of Liturgical Institute

In my humble opinion, Pope Francis is spot on.

Jeff Ostrowski · December 13, 2013

“Pius X Hymnal” (1953) by Ted Marier … free online!

Dr. Theodore Marier’s beautiful hymn book, the 1953 PIUS X HYMNAL, is now available online for free!

Jeff Ostrowski · December 13, 2013

Backyard Studies In Proportion

These were not Photoshopped !

Jeff Ostrowski · December 12, 2013

30 January Wedding • Call Time = 10:00am

PRGRAM for 26 Dec.

Jeff Ostrowski · December 10, 2013

What Exactly Is “Uninspired” Church Music?

Hearing this, most people would probably say, “She’s got a bad voice.” However, I disagree.

Jeff Ostrowski · December 8, 2013

A recent picture of our son

May Jesus Christ be praised forever.

Jeff Ostrowski · December 6, 2013

“Traditional Liturgy Flourishing in the Bible Belt”

“Father Christopher Smith is a former Baptist who converted to Catholicism as a teenager. He is a graduate of Christendom College in Front Royal, Virginia, and he holds both a licentiate and a doctorate in dogmatic theology. He recently spoke with CWR about parish life at Prince of Peace and the parish’s approach to the liturgy.” — Catholic World Report

Jeff Ostrowski · December 4, 2013

1934 “Antiphonale Monasticum” (Solesmes Abbey) • Free PDF Download!

Feel free to download all 1,296 pages!

Jeff Ostrowski · December 4, 2013

Dom Gajard on Vernacular Adaptations & Pius XII Psalter

“We request His Eminence the Cardinal Prefect of the Sacred Congregation of Rites the permission to point out the manifest danger of adopting either of these solutions.” — Dom Joseph Gajard, OSB

Jeff Ostrowski · December 3, 2013

The G.I.R.M. Mentions “Hymnus” Only Once …

Ironically, that’s the spot you’re least likely to hear a hymn at Mass!

Jeff Ostrowski · December 2, 2013

How “Catholic” Is Congregational Singing?

John Paul II asked your forgiveness in 1980 … did you forgive him?

Jeff Ostrowski · November 30, 2013

Uh Oh … How do you spell “Ressurection” ?

The new Gregorian Missal (Solesmes, 2012) is a marvelous book.

Jeff Ostrowski · November 27, 2013

With Regard to the New Document by Francis: “Evangelii Gaudium”

I’ve encountered priests who believe their job during the sermon is to talk like Rush Limbaugh, Chris Matthews, or Bill O’Reilly.

Jeff Ostrowski · November 24, 2013

A Simple Plan To Improve Music At Mass

Are all musical styles acceptable for Mass? Movie directors realize such a notion is bogus.

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Except the psalms or canonical Scriptures of the new and old Testaments, nothing composed poetically shall be sung in church, as the holy canons command.”

— ‘Council of Braga, 563AD’

Recent Posts

  • Bugnini’s Statement (6 November 1966)
  • (Rehearsal Clips) • Sacred Music Symposium 2025
  • Hidden Gem: Ascendit Deus (Dalitz)
  • PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”
  • “Dom Jausions had a skilled hand. His transcriptions are masterpieces of neatness & precision.”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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