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Views from the Choir Loft

30 January Wedding • Call Time = 10:00am

Jeff Ostrowski · December 12, 2013

Call time on (30 January) Saturday Morning = 10:00am

(Wedding starts at 11:30am on the dot, Fr Masutti celebrates)

Mandatory Rehearsal = Friday Night 7 (OVER ZOOM)

On 30 January, there’s a 9:30am Mass in the tent, but our rehearsal will be inside the Church——Father Fryar gave permission for this. Besides, you will be going to Mass at 11:30am.

BASS:
Iffy Edochie
Rene Widmann

TENOR:
Miguel Madrigal
Anthony Rey

ALTO:
Lupe (Miguel’s Sister)
Fleurette Coulombe
Bernadette Coulombe

SOPR:
Claire Coulombe (Sister of Philip, not wife of Philip)
Adeline Coulombe
Catherine Guttierez
Rianna Wojcik


01

Processional

Organ (Pachelbel’s Canon in D) played by Jeff.


02

The actual wedding takes place before Mass begins, since it’s a Solemn High 1962 Extraordinary Form Mass taking place underneath the tent at Saint Vitus.

Prayers at Foot of Altar are begun.


03

Introit

Introit is chanted by men.

Nuptial Introit is called “Deus Israël Conjungat” and can be found at the Goupil Website toward the bottom of the page.


04

Kyrie

This piece has 3 sections: #89425 “Ave Maris Stella” (Victoria).

The third section is the most difficult.


05

Gloria

Then we sing Gloria IX (with men droning), just like we do every Sunday.


06

Gradual + Alleluia

Gradual & Alleluia are chanted by men.

Nuptial Gradual is called “Uxor Tua” and can be found at the Goupil Website toward the bottom of the page.

Nuptial Alleluia is called “Mittat Vobis” and can be found at the Goupil Website toward the bottom of the page.


07

Jeff plays Organ music as priest moves to the pulpit to give his Homily.

Preaching (Homily) by Fr. Masutti happens at the usual time.

There is no Creed on 30 January 2021.


08

Offertory Antiphon

Offertory is chanted by men.

Nuptial Alleluia is called “In Te Speravi” and can be found at the Goupil Website toward the bottom of the page.


09

Offertory Organ Music

Jeff plays this on the organ.


10

Sanctus

#87349 SANCTUS (SATB) by J.S. Bach.


11

Agnus Dei

#7554 • SATB “Agnus Dei” after Fr. Gregorio Allegri (d. 1652)

{After the Pater noster—before saying “Libera nos, quaesumus, Domine”—the Celebrant, standing at the Epistle side, faces the Bride and Bridegroom kneeling before the altar, and recites the solemn Nuptial Blessing. This must not be confused with the sacrament of Marriage and cannot be given apart from Mass. This Blessing is not given to a woman contracting a second marriage.}


12

Communion Antiphon

Communion Antiphon is chanted by men.

Nuptial Introit is called “Ecce Sic Benedicétur” and can be found at the Goupil Website toward the bottom of the page.


13

Communion Motet

#4456 • “O Sanctissima” Maria Quinn (d. 1977)


14

Communion Organ Music

Ite Missa Est will be simple.


15

Recessional is organ music by Jeff.

 

* *  Nuptial Mass • Extraordinary Form

Payment is $200 (although Iffy, Rianna, Miguel, Catherine, and Lupe are not accepting payment)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 28, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    26 January 2023 • FEEDBACK
    “Jeff, I wanted to personally thank you for your spiritual witness at the Symposium & often blogs that you write too. Praying that prayer in the mornings My God, my Father and my all (by Cardinal Merry Del Val), mentioning saints’ stories of Brébeuf, Jogues, John Vianney, monks who fought in WWII, their hard work in spite of terrible conditions, their relentless zeal for the faith, their genuine love for the laypeople they served, etc. Overall though—more than anything concrete I can point to that you did or said—it was your demeanor at the Symposium. I could tell you really absolutely love and believe the Catholic Faith. You don’t get that everywhere, even in Church circles. And your humility is what then makes that shine even brighter. It is super inspiring! God is working through you probably way more than you know.”
    —Jeff Ostrowski
    Symposium Draft Schedule Released!
    Those who head over to the Symposium Website will notice the tentative schedule for 2023 has been released. This is all very exciting! Very soon, we will begin accepting applications, so please make sure you have subscribed to our mailing list. If you are subscribed, that means you'll hear announcements before anyone else. (It’s incredibly easy to subscribe to our mailing list; just scroll to the bottom of any blog article and enter your email address.)
    —Jeff Ostrowski
    Good Friday Polyphony by L. Senfl
    The editor of the Sacred Music Magazine recently made available to the public this splendid article by our own Charles Weaver. It includes an edition of polyphony for the GOOD FRIDAY “Reproaches.” Renaissance composers often set the various offices of Holy Week; e.g. readers will probably be familiar with the beautiful TENEBRAE setting by Father Tomás Luis de Victoria (d. 1611). From what I can tell, Ludwig Senfl (d. 1543) was originally a Catholic priest, but eventually was seduced by Luther and ended up abandoning the sacred priesthood.
    —Jeff Ostrowski

Random Quote

“The main place should be given, all things being equal, to gregorian chant, as being proper to the roman Liturgy. Other kinds of sacred music, in particular polyphony, are in no way excluded, provided that they correspond to the spirit of the liturgical action and that they foster the participation of all the faithful.”

— ‘2011 GIRM, §41 (Roman Missal, 3rd Edition)’

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