• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Corpus Christi Watershed

A monthly subscription fee of $4.95 gives access to the entire website. Thank you for supporting our efforts!

  • Member Log In
    • My Account
    • “Receipts + Invoices” (Subscribers)
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Jeff’s Mom Joins Fundraiser
    • “A New Chapter” • Subscriptions!
    • “Participation” (12 pages)
    • “Choirmaster’s Decalogue” (10 points)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • Feasts Website
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • Secrets of the Conscientious Choirmaster
    • Emporium Kevin Allen
    • Miscellaneous
      • Sainte Marie Bulletin Articles
      • “Let the Choir Have a Voice” (Essay)
      • Catechism of Gregorian Rhythm
      • Sacred Music Symposium 2023
      • The Eight Gregorian Modes
      • Gradual by Pothier’s Protégé
      • Father Enemond Massé Manuscripts
      • Seven (7) Considerations
    • René Goupil Gregorian Chant
    • Saint Jean de Lalande Library
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Lalemant Polyphonic
  • Donate
  • Cart
Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · September 19, 2015

Musical Resources • 17th Sunday after Pentecost (Extraordinary Form)

“Very humbly, O Lord, we implore of thy majesty, that the holy mysteries we are celebrating … save us from transgressing in the time to come …”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · September 19, 2015

“Agnus Dei” For Three Voices • Guillaume Dufay

…including a digression on why choirs hate Solfège.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · September 16, 2015

“Live” Recording Of Polyphonic Kyrie VIII

Last Sunday we sang a beautiful composition by Richard Rice.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · September 16, 2015

“The songs and hymns presently in use need to be reconsidered.”

“…it is important to avoid musical forms which, because of their profane use, are not conducive to prayer.”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · September 14, 2015

Fr. Jonathan Morris, Pit Bull Attack, & More

What you didn’t know about Fr. Jonathan Morris…

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · September 10, 2015

Musical Resources • 16th Sunday after Pentecost (Extraordinary Form)

“May thy grace … cause us to be zealous at all times in the doing of good works.”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · September 8, 2015

Video Demonstration • “Do Choral Vowels Matter?”

Can you see the difference? Can you hear the difference?

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · September 7, 2015

A New Edition Of The 1962 Missal?

Download these Propers for Saint Pio of Pietrelcina—according to the 1962 Missale Romanum!

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · September 5, 2015

“Wearing The Cassock” • A Bishop Weighs In

“I think that all of us clerics should rethink our choice of clothing…” —Bishop René H. Gracida

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · September 3, 2015

Rehearsal Videos • “Jesu Dulcis Memoria”

I first sang this marvelous piece as a freshman in college, under Dr. James F. Daugherty.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · September 2, 2015

Musical Resources • 15th Sunday after Pentecost (Extraordinary Form)

“May thine abiding loving-kindness, O Lord, cleanse and fortify thy Church…”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · August 29, 2015

The Ordinary Form’s Incredible Freedom

Here’s a chart with rubrics from the 1974 “Graduale” translated into English.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · August 27, 2015

Be Amazed By This Two-Minute Clip About Cathedrals!

Astounding video about how the Amiens Cathedral was saved by a medieval “iron band-aid.”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · August 26, 2015

Musical Resources • 14th Sunday after Pentecost (Extraordinary Form)

“Reconciled for evermore to thy Church, do thou watch over her, O Lord…”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · August 26, 2015

PDF Download • Rossini’s “Canticum Novum” (1935)

A Collection of 115 Motets and Hymns, with an Easy Mass for Two Equal Voices.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 156
  • Page 157
  • Page 158
  • Page 159
  • Page 160
  • Interim pages omitted …
  • Page 199
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Cordero de Dios”
    Feel free to download this setting of the “Cordero de Dios” (AGNUS DEI) in Spanish. The congregation gets an interesting melody within reach, the organist gets a straightforward accompaniment, and the person assembling the ORDER OF WORSHIP gets a ‘ready-to-paste’ plainsong version. Try this setting of the “Santo, Santo, Santo” (SANCTUS) if you desire one that’s easy to sing and includes a simple organ accompaniment. For the record, I have harmonized the Spanish “GLORIA” found in the MISAL ROMANO, Tercera Edición. Click here to download that.
    —Jeff Ostrowski
    “Be Joyful Mary” • Organ Interlude

    Peter Piel (1835–1904), was a Roman Catholic composer named “Royal Music Director” under Wilhelm I, King of Prussia.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“If the cantor goes about the matter correctly, he can in half an hour impart two hymns to the schola which remain forever the inalienable possession of the person.” (Wenn der Kantor die Sache richtig anfaßt, kann er in einer halben Stunde zwei Lieder der Schola vermitteln, die für immer unverlierbares Eigentum des Menschen bleiben.)

— Professor Vinzenz Goller (student of Franz Xaver Haberl) writing in 1952

Recent Posts

  • PDF Download • “Antiphons Which Are Sung Whilst the Blessed Sacrament Is Exposed”
  • PDF Download • Organ Harmonization for a Splendid Version of “O Salutaris Hostia”
  • Musical Lineup • “Mass of Thanksgiving for a Newly-Ordained Priest”
  • PDF Download • “Cordero de Dios”
  • PDF Download • “O God, Our Help in Ages Past” — Simple Organ Interludes (5 pages)

Subscribe

Subscribe

* indicates required

Footer

CONTACT • Corpus Christi Watershed

1 (818) 279-5852
chabanel.psalms@gmail.com
Corpus Christi Watershed
8118 Etienne Dr
Corpus Christi, TX 78414

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 non-profit organization recognized by the state of Texas on 19 October 2006. Our statement of purpose notes that we “employ the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.”