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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · April 29, 2015

Liturgical Silence—But Not What You Think!

When I was young, I would have tried to argue.

Jeff Ostrowski · April 28, 2015

PDF Download • “The Parish Hymnal” (1957)

“The origins of some are not known due to the long and nearly untraceable popular usage they have enjoyed.” —Gregorian Institute

Jeff Ostrowski · April 27, 2015

Brave Schola Director Posts “Live” Recording • Part 2

We’re having a lot of fun…is that bad?

Jeff Ostrowski · April 27, 2015

PDF Download • “Hymns Of The Roman Liturgy” (Rev. Joseph Connelly, 1955)

“These samples from Connelly make less sense in English than the Latin originals would to a North Korean.” —Msgr. Francis P. Schmitt

Jeff Ostrowski · April 24, 2015

Resources • 3rd Sunday after Easter (1962 Missal)

The recording of the Introit “Jubilate Deo” was created by Jeff Ostrowski—hope it helps!

Jeff Ostrowski · April 24, 2015

Polyphonic “Alleluia” for 3 voices • Morales (†1553)

I’ve always believed it’s a mistake to have all-women alto sections and all-men tenor sections.

Jeff Ostrowski · April 23, 2015

Amazing Opportunity for Los Angeles Catholics

Here’s your chance to meet Fr. John Berg, FSSP Superior General, who’s coming all the way from Switzerland.

Jeff Ostrowski · April 22, 2015

“Proper Of The Mass” (Ignatius Press) • Part 7 of 7

Let’s take a stroll down Memory Lane, shall we?

Jeff Ostrowski · April 20, 2015

Pope Visits Prison: “You could not come to me, so I have come to you.”

1300 criminals were present for Benediction.

Jeff Ostrowski · April 19, 2015

PDF • Organ Accompaniment to the “Vidi Aquam”

A version for the organist composed by Canon Jules Van Nuffel (1883-1953)

Jeff Ostrowski · April 19, 2015

PDF Download • Organ Accompaniment for “Vita Sanctorum”

I’d like to produce my own version, setting all six verses to different harmonizations.

Jeff Ostrowski · April 19, 2015

The One Thing That Unites Church Musicians

“She told the male students that careers in music are only good for mothers who desire to make some extra cash.”

Jeff Ostrowski · April 17, 2015

Resources • 2nd Sunday after Easter (1962 Missal)

Including a lovely Easter piece from the middle ages called “Vita sanctorum.”

Jeff Ostrowski · April 17, 2015

Simple Yet Beautiful Easter Piece You Might Want To Sing This Sunday

The verses come from an Easter poem found in numerous ancient manuscripts.

Jeff Ostrowski · April 17, 2015

Reflections Upon The Death Of Francis Cardinal George This Morning At 10:45am

Someone told me in advance the cardinal was a trained musician; he certainly was!

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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