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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · December 8, 2014

The Polyphonic Piece Your Choir Has Been Desiring!

As an added bonus, the score contains solfege markings!

Jeff Ostrowski · December 6, 2014

Musical Resources • 2nd Sunday of Advent

Including scores, audio files, and organ accompaniments.

Jeff Ostrowski · December 5, 2014

Latin Mass In Los Angeles • THIS SUNDAY!

“I’m not one of those Novus Ordo = bad, Tridentine = good people…” —Carlos de Quesado

Jeff Ostrowski · December 3, 2014

The Actual Authentic Writing Of Palestrina

Colin Mawby, former Master of Music at Westminster Cathedral, travels to Rome in this video, letting you see an original manuscript of Palestrina.

Jeff Ostrowski · December 1, 2014

The Current Missal Specifies When To Face the Altar & When To Face The People

The phrase “ad populum conversus” does appear in the postconciliar books, and no amount of polemical articles can change this fact.

Jeff Ostrowski · November 29, 2014

Tutorial For Priests: Singing The Prayers After The “Asperges Me”

Priests often unknowingly drift into another tone, which is not allowed.

Jeff Ostrowski · November 26, 2014

Musical Resources • 1st Sunday of Advent

Including scores, audio files, and organ accompaniments.

Jeff Ostrowski · November 24, 2014

Weakest Argument Ever Made Against “Ad Orientem”

Some weren’t happy with Bill Murray’s opinions on the Latin Mass, and a certain editor—in his zeal to refute—made an egregious error.

Jeff Ostrowski · November 21, 2014

The Traditional Way Of Having “Asperges Me”

Including a special PDF download of the “Asperges Me” you’ll want to obtain immediately!

Jeff Ostrowski · November 19, 2014

New Propers Collection By Lawrence M. Rutherford

“English Psalm-Tone Propers for the Ordinary Form of the Mass” is now available in print!

Jeff Ostrowski · November 18, 2014

A Photograph “Progressive” Liturgists Cannot Abide

Pope Paul VI wearing the Cappa Magna.

Jeff Ostrowski · November 18, 2014

“As you might imagine, it was a disaster.”

“While most worshipers were stumbling through the Introit or Collect, a few fluent in Latin would be loudly racing through the prayers.”

Jeff Ostrowski · November 17, 2014

Authentic Sacred Music Programs & King Of The Hill

We’re called to discover Christ and conform our lives to His teachings.

Jeff Ostrowski · November 10, 2014

St. Thomas Aquinas College In California

Below are a few pictures I snapped during my visit.

Jeff Ostrowski · November 9, 2014

“Fear Of The Dark-Skinned” — Really?

“Right-wing Christians push fear of the dark-skinned and fear of honesty.” —National Catholic Reporter (28 October 2014)

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Benedict XVI in particular felt it was wrong to prohibit the celebration of Mass in the ancient rite in parish churches, as it is always dangerous to corner a group of faithful so as to make them feel persecuted and to inspire in them a sense of having to safeguard their identity at all costs in the face of the “enemy.”

— Archbishop Georg Gänswein

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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