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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · December 7, 2015

Propers for Our Lady of Guadalupe (12 December)

Providing music for the Traditional Latin Mass is not nearly as hard as some believe.

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Jeff Ostrowski · December 5, 2015

Musical Resources • Second Sunday of Advent (Extraordinary Form)

“Gather ye together His Saints to Him; who have set His covenant before sacrifices…”

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Jeff Ostrowski · December 2, 2015

Introit For The Immaculate Conception (8 December)

“Gaudens Gaudebo” is not a short Introit.

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Jeff Ostrowski · December 1, 2015

The Most Important Thing A Choirmaster Can Do

Sometimes it takes decades to appreciate the genius of this or that Gregorian chant.

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Jeff Ostrowski · November 30, 2015

Changing The Good Friday Prayer For The Jews

“Christianity is the perfect development of the Jewish religion…” —Fr. Leslie Rumble

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Jeff Ostrowski · November 29, 2015

Musical Resources • First Sunday of Advent (Extraordinary Form)

“Arise in thy strength, we beseech thee, O Lord, and come…”

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Jeff Ostrowski · November 27, 2015

Clarity Regarding The Pius XII “Turkey” Indult

Whether this rumor is accurate makes no difference, because the rules for Friday abstinence were changed in the 1960s.

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Jeff Ostrowski · November 24, 2015

Our Church Music Movement: How Are We Doing?

I never dreamed that so many people love this stuff…and are willing to fight for it!

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Jeff Ostrowski · November 19, 2015

PDF Download • Hymnal by Fr. John Selner (1954)

Some of the old Catholic hymnals were dreadful, but this one is splendid.

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Jeff Ostrowski · November 18, 2015

PDF Download • “Liber Brevior” (1954)

This special Solesmes book contains another version of the “Chants Abrégés.”

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Jeff Ostrowski · November 17, 2015

Sacred Music & Babies

What’s our end game?

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Jeff Ostrowski · November 16, 2015

Solesmes is not infallible…

The accent on “adjúva” should be “ádjuva”

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Jeff Ostrowski · November 11, 2015

Stunning New Collection Of English Propers

This book of organ accompaniments by John Ainslie covers every season, including ordinary time.

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Jeff Ostrowski · November 9, 2015

The Only “Credential” That Matters

“They should have been more offended by the Romanian doctor…” —Fr. George Rutler

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Jeff Ostrowski · November 7, 2015

Musical Resources • 23rd Sunday after Pentecost (Extraordinary Form)

“Remit, we beseech Thee, O Lord, the sins of Thy people…”

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

Recent Posts

  • 7 Letters • “Simple Music for the Mass Propers”
  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)
  • “Holy, Holy, Holy” transposed lower
  • Music List • (27th Sund. Ordinary Time)
  • A Mystery! — Re: the “Liber Usualis”

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