PDF Download • “Singers’ Booklet”

Jeff Ostrowski · November 6, 2026

The Communion antiphon this week is the powerful “Parable of the Ten Bridesmaids.”

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

PDF Download • “Singers’ Booklet”

This coming Sunday—8 November 2026—is the 32nd Sunday in Ordinary Time (Year A). Several folks requested that I share online the SINGERS’ BOOKLET (24 Pages). I added in the booklet a piece we haven’t yet conquered, but intend to. The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation). The COMMUNION ANTIPHON this week is the powerful “Parable of the Ten Bridesmaids.”

—Jeff Ostrowski

Feast of All Saints (Nov. 1st)

The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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—Jeff Ostrowski

Twenty-Two (22) English Translations

We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.

—Jeff Ostrowski

Preface of Saint Joseph (added by the pope)

You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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—Jeff Ostrowski

“Predictable Rhymes?” • A Follow Up

We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?

—Jeff Ostrowski

‘Ould’ But Not Good

Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.

—Jeff Ostrowski

PDF Download • “Singers’ Booklet”

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