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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · July 27, 2017

How Is The “Kiss of Peace” Done Properly?

Do the Altar Servers receive the Kiss of Peace?

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Jeff Ostrowski · July 26, 2017

Seven Rules for Church Music (Sir Richard Terry)

“Is plainsong really so dull and dry as some of our singers would have us believe?”

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Jeff Ostrowski · July 24, 2017

“Tu Es Petrus” • Commissioned for the Symposium

This piece by Kevin Allen is based on the plainsong Communion antiphon.

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Jeff Ostrowski · July 19, 2017

“Mode 4” • How To Teach Your Choir

Did you notice the “ups and downs” were omitted? The choir will fill those in…

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Jeff Ostrowski · July 18, 2017

Video • Wilko Brouwers

Can anyone identify the composer of this piece?

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Jeff Ostrowski · July 17, 2017

Organ Improvisation • Stupefyingly Awesome!

Does this constitute an organic development?

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Jeff Ostrowski · July 16, 2017

Solemn Mass • 1941 vs. 2017

A clever video juxtaposes Fr. Favole’s First Solemn Mass…

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Jeff Ostrowski · July 11, 2017

Does Polyphony “Fit” Ordinary Form Masses?

Can you hear the difference? Listen closely to the third section.

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Jeff Ostrowski · July 6, 2017

Symposium 2017 Was A Spectacular Success!

“I cannot say enough good things about my experience at the symposium. Words cannot express just how wonderful it was to be there, and how much I brought back with me.”

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Jeff Ostrowski · June 28, 2017

Triumph Beyond Belief … Beyond Imagination

I have been reminded why I got into music in the first place.

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Jeff Ostrowski · June 21, 2017

Holy Week Bulletin from 1943

Notice when the ceremonies begin!

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Jeff Ostrowski · June 19, 2017

Jaw-Dropping Kyrie (SATB) by Guerrero

I recorded all the voice parts, to demonstrate how it sounds…

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Jeff Ostrowski · June 13, 2017

Nothing More Corny Than This

Arturo Benedetti Michelangeli plays Bach’s Toccata and Fugue in d minor…

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Jeff Ostrowski · June 12, 2017

First Solemn Mass • Fr. Joseph Favole, FSSP

Capstone to the upcoming Sacred Music Symposium!

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Jeff Ostrowski · June 11, 2017

Benedictus has been posted!

Extremely short blog post…

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Corpus Christi Watershed

President’s Corner

    Oldest Latin Eucharistic Hymnal
    The Church’s oldest Latin Eucharistic hymn is featured in the Brébeuf Hymnal. Indeed, the legendary Father Adrian Fortescue made a translation of it—matching the original’s meter—which was elevated by the Brébeuf team. For years, we’ve been working on a Spanish hymnal: “Cantoral del Padre Antonio Daniel.” The progress has been slow but steady, and we encourage anyone fluent in Spanish to consider joining the proofreading team. A few days ago, my wife helped me record a rehearsal video for this Spanish version of the Church’s oldest Latin Eucharistic hymn.
    —Jeff Ostrowski
    Rare Plainsong Accompaniments
    Our contributor, Veronica Brandt, went deep into Australia to take photographs of organ accompaniments for Gregorian Chant. Some consider these peculiar PLAINSONG ACCOMPANIMENTS—with 3-part harmonies by Barcelona Cathedral organist, Father Josep Muset i Ferrer—to be the rarest in the world. Click here to learn more. Thanks Veronica! 😊
    —Jeff Ostrowski
    “Hidden Chant” • For the Ordinary Form

    Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

Friedman met Egon Wellesz in Altaussee on one of the walks, and Egon started to speak about atonal music—and Ignaz replied: “No, no, no. Melody for me.”

— From the Life of Ignazy Friedman

Recent Posts

  • Public Criticism of Jeff Ostrowski’s Singing Voice • Also: “Dich König loben wir”
  • Oldest Latin Eucharistic Hymnal
  • Rare Plainsong Accompaniments
  • “Participatio Actuosa” • Re: Active Participation During The Holy Mass
  • “Receipts + Invoices” • (CCW Subscribers)

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