Views from the Choir Loft

English Prayers at EF Mass • How old are they?

Jeff Ostrowski · January 24, 2018

OW OLD are the English translations found in Extraordinary Form missals? Consider books currently being sold, such as the Campion Hymnal, which uses the Fr. Lasance translation. Or consider the famous “red books” popular in the 1990s. Or go back further, to the 1806 Roman Missal for Use by Laity (Fr. Husenbeth), which underwent numerous editions. Most of them use the same basic translation of the ORDO MISSAE—but how old is it?

I have previously mentioned that, in addition to the many contemporary texts composed specifically for the forthcoming Brébeuf hymnal, we also plan to include a few historic translations. Our research recently revealed a fascinating ORDO MISSAE in Latin & English from the year 1687:

* * PDF Download • ORDO MISSAE (Latin & English) … from 1687AD

Here are some excerpts, showing a breathtaking similarity to the English translation most “Latin Mass” Catholics have memorized:

90607 p326 • Latin English Mass (1687) ORDO MISSAE

90607 p310 • Latin English Mass (1687) ORDO MISSAE

90607 p298 • Latin English Mass (1687) ORDO MISSAE

90607 p292 • Latin English Mass (1687) ORDO MISSAE

90607 p286 • Latin English Mass (1687) ORDO MISSAE

90607 Canon • Latin English Mass (1687) ORDO MISSAE

It’s the same one I know—almost verbatim!

I also enjoyed looking at the prayers they included to help the congregation achieve deeper devotion. Some excerpts:

90607 p338 • Latin English Mass (1687) ORDO MISSAE

90607 p336 • Latin English Mass (1687) ORDO MISSAE

90607 p332 • Latin English Mass (1687) ORDO MISSAE

In the full PDF file (above) you’ll find interesting items such as:

A Prayer Before Confession

Prayer Before Receiving the Blessed Sacrament

Short Prayers during the Time of Mass
Necessary for the Better Understanding Thereof

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Urgent! • We Desperately Need Funds!

A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!

—Jeff Ostrowski

“Booklet of Eucharistic Hymns” (16 pages)

I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed