• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · October 10, 2019

Incredible!!! • Ancient Kyriale MSS for Download

Through the centuries, we observe a remarkable stability—in spite of variants, which will always exist.

Jeff Ostrowski · October 7, 2019

PDF Download • SATB “Sanctus” by Orlando de Lassus

We have completed part 1. When part 2 is finished, we’ll release that, as well.

Jeff Ostrowski · October 3, 2019

Pope Francis: “Promote The Presence Of The Schola Cantorum In Every Parish Community!”

Pope Francis said (28 September 2019) that liturgical music must be Holy, Artistic, and Universal.

Jeff Ostrowski · October 2, 2019

Veronica Brandt • “Lalande Drop-Cap Letters”

Editing Code in the Classic Editor There are two tabs to the right of the content box: Visual and Text. Choose Text to edit the code. Choose Visual for a rough idea of how it will look. Editing Code in the Block Editor Each paragraph block has a menu bar which pops up when that […]

Jeff Ostrowski · September 30, 2019

Brave Schola Director Posts iPhone Recording

Sometimes the obstacles faced by choirmasters seem completely overwhelming.

Jeff Ostrowski · September 24, 2019

Brébeuf Review! • “Society for Catholic Liturgy”

“The editors of the Brébeuf Hymnal have done a great service to the profession.” —Aaron James, Ph.D.

Jeff Ostrowski · September 20, 2019

PDF Download • Palestrina Kyrie “Fons Bonitatis”

This is part 1 of 3 — and the other parts will be released soon.

Jeff Ostrowski · September 16, 2019

“Dies Irae” • Why Does It Appear In So Many Movies?

Veronica Brandt wrote about this in 2014. This morning, VOX made her article into a YouTube.

Jeff Ostrowski · September 13, 2019

($54,000 per year) • FSSP San Diego Seeks Choirmaster

It seems Fr. Lyons offered the position to a candidate who later decided not to accept.

Jeff Ostrowski · September 11, 2019

“How To Begin Choir Practice” • (A Suggestion)

How one *begins* a rehearsal is crucial.

Jeff Ostrowski · September 11, 2019

Photographs • Père Daniel Kyriale (126 pages)

The beauty of the Gregorian Kyriale cannot be stopped—and Saint Antoine Daniel is the perfect patron for this!

Jeff Ostrowski · September 10, 2019

PDF Download • “Alleluia Choral Extension” (EF + OF)

This may look simple on paper, but it sounds *incredible* when sung by a full choir. Guerrero rocks!

Jeff Ostrowski · September 9, 2019

When People Lie About Hymns Unwittingly

As a young man, I came into contact with an organist who claimed there was no such thing as a “Recessional,” insisting that I was wrong and foolish to use that term.

Jeff Ostrowski · September 7, 2019

Revealed! • A Fascinating Mass Rubric Very Few Know

“How surprised people would be next Sunday to see the direction being carried out!” —1943 article

Jeff Ostrowski · September 4, 2019

Do You Know Credo VII ??

A wonderful medieval Credo, published with “Imprimatur” from 1924.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 101
  • Page 102
  • Page 103
  • Page 104
  • Page 105
  • Interim pages omitted …
  • Page 186
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“In the 17th century came the crushing blow which destroyed the beauty of all Breviary hymns. Pope Urban VIII (d. 1644) was a Humanist. In a fatal moment he saw that the hymns do not all conform to the rules of classical prosody.”

— Fr. Adrian Fortescue (d. 1923)

Recent Posts

  • Spectacular Communion Setting!
  • Now That You’re Shunning Bad Hymns … Stop Announcing Them!
  • Bach’s Psychotically Awesome Walking Bassline
  • A Simple Way to Utilize Handbells
  • Fulton J. Sheen • “24-Hour Catechism”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.