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Views from the Choir Loft

Guest Author

Guest Author · December 22, 2014

PDF Download: Father Charles Dreisoerner’s “Graduale Romanum” In English (202 pages)

Did you know the entire Roman Gradual was set to English texts in 1984?

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Guest Author · October 29, 2014

True Devotion to Jesus

You will definitely want to read the quotes from Paul VI about reception of Communion in the hand.

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Guest Author · October 12, 2014

The Miracle of Mozart (and Friends)

Modern evidence that “modern” music may not be so “great” as the moderns would like you to think.

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Guest Author · October 6, 2014

The Legacy of Simon Le Moyne & the Jesuit Martyrs in Upstate New York

Le Moyne attained the name Ondessonk (“Leader”) among the natives—a name originally given to St. Isaac Jogues, until his martyrdom.

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Guest Author · September 17, 2014

Weak-Kneed Prayers or Religious Patrimony?

“How do we answer a question posed 30 years ago about learning prayers?” — Fr. Alan Guanella

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Guest Author · September 8, 2014

Fr. Alan M. Guanella Reviews The Jogues Missal

“No other pew Missal has done such a beautiful job setting the Ordinary of the Mass.” — Fr. Alan M. Guanella

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Guest Author · August 19, 2014

Music & Beauty

The chants of the Sacred Liturgy in particular, form a perfect marriage of text and melody, which St. Basil describes as a type of divine pedagogy.

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Guest Author · August 17, 2014

Homily: 20th Sunday in Ordinary Time (Year A)

How much faith and confidence do I have when I pray for the conversion of a loved one? Do I have as much faith as this woman who asked for the cure of her daughter?

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Guest Author · August 12, 2014

Important Resources for Liturgical Reform (5 of 7)

“Simple English Choral Propers” by Jon Naples

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Guest Author · August 10, 2014

Homily: 19th Sunday in Ordinary Time (Year A)

It’s easy now to say that the disciples had nothing to fear since Jesus was so close. But that is not how it works in real life situations.

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Guest Author · August 10, 2014

EF Homily: 9th Sunday after Pentecost

Yes, God is merciful, but there is a limit to His mercy.

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Guest Author · August 6, 2014

Forty Hours Sermon

The Church in which I was preaching happened to be one of those Churches which didn’t have the Blessed Sacrament in it, and my remark caused quite a stir.

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Guest Author · August 2, 2014

Homily: 18th Sunday in Ordinary Time (Year A)

God is a provident God. This in turn should make us want to love God.

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Guest Author · July 27, 2014

Homily: 17th Sunday in Ordinary Time (Year A)

Not too long ago I was talking with a priest who said that he did not believe that there was anyone in hell. I told him that was a very nice thought, and I too would love to believe it, but I don’t think we can count on it.

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Guest Author · July 23, 2014

Like Eve in the Garden

“The fruit in my hands was not forbidden but simply forgotten.” — Fr. Brent Maher

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

Recent Posts

  • Sacred Music in the Sunflower State!
  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)
  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)

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