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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Guest Author

Guest Author · November 27, 2025

“Sacred Music Pilgrimage to Italy” with Grace Feltoe

Including a tour of the Pontifical Institute of Sacred Music with Father Robert Mehlhart, OP.

Guest Author · September 22, 2025

Installment #7 • Three (3) Questions Re: Forthcoming USA Lectionary

What is the specific criteria for this most recent tinkering?

Guest Author · August 30, 2025

Installment #6 • “Serious Problems with the Lectionary Translation”

“If we had known what the prayers really said, we would not have wanted to pray them any longer.” —Paul Inwood

Guest Author · August 28, 2025

Installment #5 • “Serious Problems with the Lectionary Translation”

Executive Director (emeritus) of ICEL weighs in on our series.

Guest Author · August 21, 2025

“Practical Solutions to Impractical Problems” • Lerner’s Philosophy of Parish Music

Simple chants (sung well) save souls.

Guest Author · August 16, 2025

Installment #4 • “Serious Problems with the Lectionary Translation”

Jeffrey Tucker: “USCCB deserves scorn for maintaining strict copyright over liturgical texts.”

Guest Author · August 4, 2025

Installment #3 • “Serious Problems with the Lectionary Translation”

“All ate a meal fit for heroes.” — Catholics in the pews deserve better than this!

Guest Author · July 31, 2025

Installment #2 • “Serious Problems with the Lectionary Translation”

Special ‘favors’ or ‘permissions’ or ‘exceptions’ are given to various corporations while others are denied.

Guest Author · July 22, 2025

PDF Comparison Chart • “Serious Problems with the Lectionary Translation”

The responsorial psalms used in American Masses are—broadly speaking—pirated from the hard work of others.

Guest Author · May 25, 2025

“Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters

A priest once suggested to me that we “mic” the people in the pews during Mass to make their responses more audible and robust.

Guest Author · March 6, 2024

Saint Paul’s Choir School • “My Reflections”

Saint Paul’s Choir School is the only all boys Catholic choir school in the nation.

Guest Author · February 8, 2024

Father Robbie Low: “The State of Catholic Music”

“Music has an immense part to play in this perception of the divine reality and the heavenward leanings of the soul.” —Fr Robbie Low

Guest Author · January 13, 2024

Guest Article by Dr. Kurt Poterack

Christendom College offers scholarships and free organ lessons for students starting in the Fall of 2024.

Guest Author · November 26, 2023

“An Initiation to Gregorian Chant” (Msgr. Turco)

Guest article by Father Stephen Concordia, OSB.

Guest Author · September 1, 2023

Gregorian Rhythm Wars • “The Counter Tradition”

Guest submission (1 September 2023) by Alasdair Codona of Glasgow, Scotland.

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

Recent Posts

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  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass
  • Solfege Volleyball: A Children’s Choir Game
  • PDF Download • “2-Voice Hymn” (Holy Name)
  • Music List • (5th Sund. Ordinary Time)

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