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Views from the Choir Loft

Christopher Mueller • Article Archive

Christopher Mueller is a church musician, conductor, and composer. He aims to write beautiful music out of gratitude to God, the Author of all beauty.—Read full biography (with photographs).

Christopher Mueller · May 15, 2026

7 Suggestions • Singing Gregorian Chant “Correctly”

Dr. Edward Schaefer once said: “I hate the ictus because it’s so confusing. I use white out on each ictus before distributing the music to my singers.”

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Christopher Mueller · October 23, 2025

Children’s Repertoire • Mueller’s Recommendations

Further thoughts about children’s choirs…

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Christopher Mueller · October 28, 2024

*Gasp* — Other Sacred Music Websites!

In a show of “web-ecumenism” I’d like to mention five today.

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Christopher Mueller · January 4, 2024

Mueller’s Artistic Credo • “Same But Different”

“Variety within a single Mass is important for engaging the listening ears (and singing voices) of the congregation.” —Chris Mueller

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Christopher Mueller · June 17, 2023

Richard J. Clark’s “Salve Regina”

“Thanks, Richard, for another accessible and mellifluous motet!” —Chris Mueller

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Christopher Mueller · October 6, 2020

(Installment #10) “Catholic Hymnals” • Chris Mueller

Father Rutler makes five crucial points.

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Follow the Discussion on Facebook

Christopher Mueller · March 30, 2020

Repeating Repertoire? • Christopher Mueller

I’m sure I’m not the only one to feel this way: certain celebrations don’t feel right without “that piece.”

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Christopher Mueller · July 25, 2017

What really happened at the Convocation of Catholic Leaders

Beautiful liturgical music happened—in a hotel ballroom, no less!

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Christopher Mueller · April 12, 2016

World Youth Day with polyphony and chant!

Help us bring polyphony and chant to World Youth Day!

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Christopher Mueller · February 29, 2016

The Domestic Church and the domestic schola

The family that sings together prays together.

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Christopher Mueller · January 6, 2016

On Catholic Art

It’s time to renovate and reoccupy our own tradition!

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Christopher Mueller · October 12, 2015

Rediscovering “Musicam Sacram”

I encountered anew this wonderfully clear and concise document about music in the liturgy.

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Christopher Mueller · September 21, 2015

A Striking Approach To Performing Gregorian Chant

A commenter had posted, “Their metrical chant is a revelation!” That piqued my curiosity.

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Christopher Mueller · September 7, 2015

Liturgy And Diversity

“His answer was surprising to me, and I thought it both prudential and catholic.” —Chris Mueller

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Christopher Mueller · January 3, 2013

Biography • Christopher Mueller

Christopher is a church musician, conductor, and composer…

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Corpus Christi Watershed

President’s Corner

    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski
    Music List • “Corpus Christi” (Year A)

    The 28-page Singers’ Booklet is included. Our children’s choir will join us for this Mass.

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    —Jeff Ostrowski
    PDF Download • “Rubric Challenge”
    The feast of Corpus Christi is special for TLM altar boys. On that day, two of us thurifers got to walk backwards while using the THURIBLE. (That American custom, if memory serves, is not strictly described in the rubrics.) A few weeks ago on the CCW Facebook Page we posted this screenshot from a 1915 Roman Catholic hymnal. The challenge is to guess what the rubric says, which we blocked from view with a red box. So far, nobody has guessed correctly. Feel free to guess! Our email address is listed at the bottom of each page. UPDATE: The answer has been revealed as of 8 June 2026.
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

They were not ashamed to lay their hands on Sedulius, on Prudentius, on St. Ambrose himself. Only in one or two cases does some sense of shame seem to have stopped their nefarious work. They left “Ave maris stella,” “Jam lucis orto sidere,” and St. Thomas Aquinas’s hymns alone (they would have made pretty work of “Sacris solemniis”). In 1629 their mangled remnants were published.

— Rev’d Adrian Knottesford Fortescue (25 March 1916)

Recent Posts

  • PDF Download • “Simple Organ Interludes for Use in the Catholic Church” (108 pages)
  • Dr. Tappan in Rome • “Ubi Caritas”
  • Time and Again We Are Asked…
  • “Citation Needed” • Dom Foote of ICEL
  • “Should the People Sing in Parts?” • Weighing the Case for SATB Hymnals in the Pews

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