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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Domestic Church and the domestic schola

Christopher Mueller · February 29, 2016

MFS-kids the domestic church REMEMBER well the preparations for the baptism of my first child. My wife and I met with the pastor of our parish (and my boss at the time), a mild-mannered fellow who was quick to smile. We went through the questions on the form fairly quickly and arrived at the ones where we name the Godparents. At that moment, the good Father became unexpectedly stern, and said to us, “You must remember that the first role of parents is to teach their own children the faith. This is not something that can be outsourced to the Godparents. It is not their job to ‘pick up the slack’ if you fail in this area. This is your job, and their role is to assist and support you, but not to do it for you.”

We were not planning on having our Godparents teach our children the faith, of course, but Fr. Andrew’s gravity suggested that perhaps some parents have thought this way over the years.

We know that our role as parents is to build the domestic church, by praying together, teaching our kids in the faith, and taking them to regular Mass and confession.

We thought that one way to strengthen our domestic church would be to start up a family schola, so that we could pray together through singing. After all, St. Augustine tells us that “singing is a lover’s thing,” or “singing is for one who loves” (depending on your preferred translation), and what is the domestic church if not a school of love?

The other thing we hope to do with our family schola is to encourage other families to sing together. In my present work as both a “regular sub” with a children’s choir and a schola teacher at a Catholic school, I’m constantly surprised at how unwilling children are to sing, or how uncomfortable they seem using their voices in song. My own children love to sing—they sing around the house all the time, and make up songs together—and my feeling is that musical expression is a birthright. Children who don’t sing—who lack either the encouragement or the environment to do so—are missing something essential to the very joy of living.

And so I’d like to offer below videos of the Mueller Family Schola, singing polyphony and chant. My wife and I are both trained musicians, so the children have the advantage of musical parents, but contra some of the positive comments we’ve received, our musical success is not a product of talent. It’s a product of working together, of patience, of daily labor, and most of all, of love. Each of our children has different strengths when it comes to learning music, and different challenges. We try our best to nurture each soul during the rehearsal process, so that the result is not just growth in musical skill, but also growth in faith.

We’re singing for a Lenten Mass in a few days, and I was passing out some new music. My seven-year-old son picked up one of the sheets, which said “Gospel Acclamation” at the top, featuring an antiphon with the text, “Glory and praise to you, Lord Jesus Christ.” He gave me a big smile and said, “Normally the Gospel Acclamation should have an ‘alleluia,’ but we can’t sing ‘alleluia’ here because it’s in Lent!”

Ah, the perfect reflection of the domestic church in the domestic schola.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Christopher Mueller

Christopher Mueller is a conductor and composer who aims to write beautiful music out of gratitude to God, Author of all beauty.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

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