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Views from the Choir Loft

Archives for March 2026

Jeff Ostrowski · March 9, 2026

PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)

Only a foolish and stubborn person would claim that “hyena” is basically the same thing as “a holy person.”

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Jeff Ostrowski · March 7, 2026

“Dies Irae” • A Monstrous Translation

There’s a place for dynamic equivalency, but this is repugnant.

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Jeff Ostrowski · March 7, 2026

PDF Download • “Holy, Holy, Holy”

This is what we use for vigil Masses on Saturday (a.k.a. “anticipated” Masses).

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Jeff Ostrowski · March 6, 2026

Music List • (3rd Sunday of Lent)

Readers have expressed interest in examining my “music list” for this coming Sunday.

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Jeff Ostrowski · March 6, 2026

“National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship

“For this reason, I encourage everyone to take the survey.” —Jeff Ostrowski

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Jeff Ostrowski · March 5, 2026

“Samaritánæ” (3rd Sunday of Lent)

The “Ordo Cantus Missae” introduces not only…

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Jeff Ostrowski · March 5, 2026

Grotesque Pairing • “Passion Chorale”

Were you shocked to see the Pius XII Hymnal (1959) assigning vernacular hymns to different parts of the Mass?

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Jeff Ostrowski · March 3, 2026

PDF Download • “Ubi Caritas” (SATB)

A wonderful option for smaller choirs.

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Jeff Ostrowski · March 3, 2026

PDF • “Cantus Mariales” (192 pages)

This gorgeous PDF scan is being offered completely free of charge

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Andrea Leal · March 2, 2026

PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

My favorite Gregorian hymn for Lent!

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Jeff Ostrowski · March 1, 2026

Fulton J. Sheen • “24-Hour Catechism”

(9 of 50) “Divinity of Christ”

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Corpus Christi Watershed

President’s Corner

    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski
    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

Thus in 1905 the Vatican Kyriale appeared with rhythmic signs and the following legend: “Præsens exemplar, rhythmicis signis a Solesmensibus monachis ornatum, typicae Vaticanæ editioni de cætero plane conforme repertum est.” (This copy, provided with rhythmic signs by the monks of Solesmes, completely agrees in every other respect with the Vatican original.)

— Dom Gregory Hügle, OSB

Recent Posts

  • Why I Never Write Articles for Corpus Christi Watershed Anymore
  • Calling Dr. Weaver!
  • “A Catholic Choir Director’s Decalogue” • Jeff’s Personal Odyssey (10 Points)
  • SLANE • “Simplified” Keyboard Arr.
  • “Taking Over an Inner City School Choir” • Rebecca’s Story

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