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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Pange Lingua” in Simple (Contemporary) Polyphony for Three Voices

Jeff Ostrowski · February 24, 2026

OME HAVE CALLED Monsignor James Dunlop Crichton (d. 2001) “Britain’s foremost Roman Catholic liturgist.” It’s difficult to take such an assertion seriously in light of elementary errors he sometimes made. For instance, in 1996, he declared vis-à-vis choirs singing for Mass: “Their role is to support the people and help them to sing well what might otherwise be difficult to sing without their support.” Likewise, in 1990, Crichton wrote: “The choir is the servant of the people and not an independent element that may go its own way.” That’s false. In fairness, he wasn’t alone; e.g. the USCCB Liturgical Committee (23 November 1980) said: “Musicians, singers, and instrumentalists are responsible for providing the direction and support by which the community can pray and sing well” insisting that “the primary focus for composers of liturgical music” must be “the entire assembly itself.”

Irrefutable Truth • Vatican II explicitly said: “The treasury of sacred music is to be preserved and fostered with very great care.” Only a minuscule percentage of the THESAURUS MUSICAE SACRAE is congregational. As I pointed out in my recent essay, Let the Choir Have a Voice, that statement doesn’t allow for wiggle room, nuance, or interpretation.1 Following this injunction, our childrens’ choir last Sunday joined our volunteer parish choir for the First Sunday of Lent. Here’s a brief excerpt:

Here’s the direct URL link.

Download This Musical Score • That score can be downloaded completely free of charge by following this URL link. At that same location, you will find much information with regard to the provenance of this arrangement. Moreover, you’ll discover free rehearsal videos (of a high-quality) for each individual voice … and that’s quite a boon for volunteer choirs.

Kevin Allen • That “Tantum Ergo” excerpt—which you heard in the video—comes from a magnificent collection by Kevin Allen (legendary composer of sacred music) called Motecta Trium Vocum. Readers will want to check out EMPORIUM KEVIN ALLEN, where some of Mæstro Allen’s musical scores may be purchased. Furthermore, if you live in Chicago, you’ll want to check out these upcoming events:

1 There will always be priests who say: “Who cares what Vatican II mandated? I’ll do as I please.” But no serious person can honestly claim Vatican II said choirs are only there to support congregational singing. The THESAURUS MUSICAE SACRAE has a meaning: real choral music. Not baby music; not folks songs; not broadway songs; not Disney songs; not the musical equivalent of “goo goo gah gah.” The conscientious choirmaster should never be ashamed of teaching Catholic choirs authentic choral music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Monsignor James Dunlop Crichton, Thesaurus musicae sacrae Last Updated: February 24, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Indeed I might add that although unfamiliar with it myself, the Extraordinary Form expressly reminds us that Mass in either form is not merely a communion meal but a ritual of love, a sacrifice at Calvary, by which, for you and for me, yes, here and now, Jesus Christ lays down his life.

— ‘Most Rev. Philip Egan, Bishop of Portsmouth’

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  • “Dies Irae” • A Monstrous Translation

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