PDF Download • Palestrina “Alleluia” (SATB) for the Ordinary Form
Last week, a major bombshell was dropped with regard to two major publishing companies of Catholic hymnals.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
Last week, a major bombshell was dropped with regard to two major publishing companies of Catholic hymnals.
Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.
This “Entrance Chant” is used during liturgical years A, B, and C.
The vast majority of these women had never sung plainsong—but they’ve taken to it like a duck to water.
Since a new month has arrived, it’s my pleasure to remind you that…
“Throughout those 40+ years, I designed the music liturgy according to my sense of entertainment, failing to realise what it was supposed to be until much later.” —Chad H.
Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.
This concession was granted in part due to “the enormous and ever increasing frequency of weekend trips and skiing excursions…”
This English adaptation uses mode 4, as does the authentic Gregorian Chant version.
“I want never to hear another word about ceremonies for as long as I live. I would rather discuss the symptoms of cancer.” —Dr. Fortescue
Reclaiming Gregorian Chant for children at the New England “Pueri Cantores” choral festival & Mass.
This particular hymn is being considered for inclusion in the “Cantoral del Padre Antonio Daniel.”
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