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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Breaking! • “Cardinal Roche Vs. Bishop Paprocki” (Development on 23 Jan. 2025)

Jeff Ostrowski · January 28, 2025

HIS BLOG has discussed at length a situation that developed last year vis-à-vis whether the obligation (to abstain from unnecessary servile work and assist at Mass on a Holy Day of Obligation) gets transferred if the feast is deemed “not important enough to celebrate on the correct day.” In my article posted on 15 October, I mentioned how a senior liturgical official at the USCCB told me over the telephone that Bishop Thomas Paprocki’s modification literally “blew his mind”—especially being made at such a late date.

Roche Vs. Paprocki • Last week, it appears Arthur Cardinal Roche attempted to overrule the Vatican’s Committee on Canonical Affairs. At least that’s the impression I got after reading this letter dated 23 January 2025:

*  PDF Download • DICASTERY FOR DIVINE WORSHIP LETTER—(23 Jan. 2025)
—Cardinal Roche herein attacks the recent ruling by the Vatican’s “Committee on Canonical Affairs.”

Note: The letter from Cardinal Roche only mentions the obligation to attend Mass. It says nothing about the obligation to abstain from unnecessary servile work. However, a Canon Law principle says something to the effect of: “He who dispenses the higher obligation simultaneously dispenses the lower obligation.” (Those aren’t the exact words, but you get the gist.)

Bad Lawgivers • The lawgiver isn’t supposed to constantly contradict other laws. The same thing applies to parents. A good father doesn’t tell his children that it’s okay to walk on the couches on Monday, then on Tuesday say it’s not okay, then on Thursday say it’s okay, then on Saturday say it’s not okay. Unfortunately, since the 1960s we’ve seen this principle violated again and again. On 2 March 1965, CARDINAL LERCARO (the man appointed by Paul VI to be in charge of all liturgical changes) listed what he felt were the two greatest liturgical abuses: “Communion in the hand and the CANON said audibly.” But a few years later, both were permitted. (The latter is actually mandated!) Is it any wonder that Catholics in the pews are confused?

Reform Is Needed • I own a book containing all liturgical legislation since 1965. The book is 4,566 pages long! Much of it is self-contradictory. Is there a priest in this entire world who could faithfully adhere to all that legislation? Someday, all this will have to be fixed.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Arthur Cardinal Roche, Bishop Arthur Roche, Bishop Thomas Paprocki, Bishop Thomas Paprocki Springfield Illinois Last Updated: January 28, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“A striking detail: at Solesmes, we remember hearing Justine Ward criticize accompaniment sometimes or seeing her cover her ears, especially when the organ accompanied a soloist, which is something she could not accept.”

— Dom Pierre Combe

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