• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Score • “Mass Setting I Wrote For Corrinne”

Jeff Ostrowski · January 29, 2024

ANY CHANGES made to the sacred liturgy during the 1960s are (with the benefit of hindsight) worthy of sober scrutiny. To mention just one: for each Mass in the Ordinary Form, no fewer than eight (8) options are fully licit for the Responsorial Psalm. This has been referred to as a “kaleidoscope of confusion.” Others call it a “tyranny of options.” But when a deacon, priest, bishop, or cardinal questions any aspect of the reform, he is immediately dismissed as a reactionary who “rejects” Vatican II. But what specifically does rejecting Vatican II mean? That question is never answered. Our blog authors have written hundreds of articles vis-à-vis Vatican II mandates which have been ignored completely. For example, in a 2021 article I provided twelve (12) specific Vatican II directives ignored by most bishops for the last sixty years. (I have more to say about this below.)

Who “We” Are • So what are we supposed to do? By “we” I mean those who cherish our Catholic heritage. I mean those unwilling to “conceal” or “keep quiet about” the powerful testimonies from the reformers themselves who admitted—either contemporaneously or later in life—that many reforms were done hastily and should be reversed. I mean those who agree with a filmed interview wherein Cardinal Ratzinger said: “We are today not another Church as 500 years ago. It is always the same the Church.”

Imitating Father Vianney • Let’s remember that SAINT JOHN MARY VIANNEY (d. 1859) didn’t experience the Roman Rite. In France when he was alive, they had the so-called neo-Gallican rites, which Abbat Guéranger fought against. Indeed, it’s said that Catholic priests imprisoned together during the Revolution of 1789AD couldn’t recite the Divine Office together because each French diocese had its own “use” or rite. And yet, Father Vianney became the patron saint of parish priests! In other words, Father Vianney didn’t just throw up his hands, saying: “If I can’t have the Roman Rite in all its purity, there’s no sense in serving God at all.”

Mass Setting For Corrinne • I’m honored to know a platinum artist named CORRINNE MAY. A few years ago, she founded a choir in Singapore which garnered 30+ members within a short period of time! Her church is Ordinary Form, meaning certain “restraints” are placed on the music. For example, in the Extraordinary Form the KYRIE is sung while other things are happening—just like the Eastern rites—but in the Ordinary Form that’s not the case. To make a long story short, I created my Mass Setting in Honor of Saint Noël Chabanel for Corrinne May.

“EF” Adaptation • Some of the movements work well for the Extraordinary Form. For instance, my volunteer choir sang (Mp3) the “ALLELUIA” on 21 January 2024. It’s possible to adapt the KYRIE movement for the Extraordinary Form. We sang this setting (with my volunteer choir) for the first time yesterday.

Polyphony is used on the 3rd, 6th, and 9th invocation:

*  PDF Download • KYRIE ADAPTATION (Extraordinary Form)
—Demonstrating how Jeff’s “Chabanel Kyrie” can be used in the Extraordinary Form.

Here’s the direct URL link.

M A recording made on 11 February 2024: https://ccwatershed.org/34215/

Vladimir Horowitz • As you can hear by that ‘live’ recording, I need to remember to encourage my choir members to stop rustling their papers! (How do you prevent noise from page turns?) When Vladimir Horowitz played his famous television concert at Carnegie Hall in 1968, the programs were printed on velvet to eliminate any page turn noise.

OHN VIANNEY did not live to see the Roman Rite restored in France. Nor did he live to see the restoration of Carmen Gregorianum that took place under Abbat Joseph Pothier and Pope Saint Pius X. In a certain sense, however, that doesn’t matter. That’s because Father Vianney now enjoys the BEATIFIC VISION—meaning there’s absolutely nothing lacking in his bliss and happiness. That being said, I don’t believe the current liturgical situation will last forever. Cooler heads will prevail someday, meaning that “defending” or “speaking out in favor of” or “acknowledging the existence of” the Church’s perennial traditions will no longer entail risking censure or exile. But that time is not now.

Repressive Environment (1 of 4) • I know several brilliant priests who refuse to publish anything liturgical because even stating facts is out of the question in today’s ruthlessly repressive environment. A certain cadre (which shall remain nameless) seem to believe the Catholic Church began in 1962. They claim Vatican II is the only council that matters, and any councils that came before it constitute garbage to be discarded and ignored. I don’t feel the need to “go into detail,” as our readers know all too well what I’m talking about.

Repressive Environment (2 of 4) • My conversations with young priests all over the world have convinced me that someday it will be possible to examine the liturgical reforms in a sober and objective way. It will no longer be forbidden to quote the actual reformers, such as the prelate in charge of all liturgical reforms: CARDINAL LERCARO. What did Cardinal Lercaro say? When asked to name liturgical abuses that were damaging and reprehensible—“fanciful” and “deplorable” to use his exact words—Cardinal Lercaro cited (a) Communion in the hand; (b) a Celebrant reciting the Canon in an audible voice. As readers know, both (!!!) are currently mandated. Furthermore, in a letter (25 January 1966) to the bishops’ conferences, Cardinal Lercaro called female altar servers “a grave infraction.” I suppose somebody could say: “Well, Cardinal Lercaro can be ignored because he didn’t know what he was talking about.” The problem with that argument is—as I already mentioned—Cardinal Lercaro was the one in charge of all the liturgical reforms!

Repressive Environment (3 of 4) • The time is not now, but someday it will no longer be forbidden to quote FATHER LOUIS BOUYER, (a close friend of Pope Paul VI ) who was responsible for creating EUCHARISTIC PRAYER NUMBER II back in 1968. Bouyer was certainly no “traditionalist”—cf. page 4 of his Liturgical Piety (1954). He’d been a leader in liturgical reforms for years, and served on Bugnini’s Concilium in the 1960s. When Bouyer saw the results of the reforms, he had a change of heart and referred to the liturgical reforms as “the pathetic creature we produced.” Moreover, Father Bouyer admitted the reformers of the 1960s had no chance of success, since their goal had been “recasting from top to bottom—and in a few months!—an entire liturgy which had required twenty centuries to develop” [cf. Memoirs of Louis Bouyer, page 219]. Indeed, the testimony given by Father Louis Bouyer vis-à-vis Archbishop Hannibal Bugnini nothing short of terrifying:

*  PDF Download • Father Bouyer’s Testimony: BUGNINI

On 28 August 1964, ARCHBISHOP HEENAN lamented the liturgical reform’s direction, writing (in a private letter to Evelyn Waugh): “The Mass is no longer the Holy Sacrifice but the Meal at which the priest is the waiter. The bishop, I suppose, is the head waiter and the Pope the Patron.”

Repressive Environment (4 of 4) • Perhaps the most important witness of all was CARDINAL ANTONELLI, who had been appointed by Pope Saint Paul VI as “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962. Although Antonelli had initially been utterly gung-ho about the reforms, when he saw how they were enacted he wrote scathing comment after scathing comment in his diaries. Including all his quotations would take too long; therefore, consider just one. “The Consilium,” Cardinal Antonelli wrote:

“…is merely an assembly of people, many of them incompetent, and others well advanced on the road to novelty. The discussions are extremely hurried. Discussions are based on impressions and the voting is chaotic. […] It is unpleasant to find that questions—which, in themselves are not very important, but which have serious consequences—should be discussed and decided by an organ which functions such as this.”

I could easily spend the next 24 hours including a tons more quotations, but hopefully the reader has gotten the gist.

Cathedral Rector • Regarding the current climate of liturgical scholarship, I recently received the following message from the rector of a cathedral—I’m redacting his name for obvious reasons—who hails from a country where the temperature is usually very hot:

“Sometimes the atmosphere can be stifling. We feel the burden of the heat, the humidity perhaps. It oppresses us, and we count ourselves lucky if we can retreat into the shelter of an air-conditioned room, not venturing out until the weather changes. What is the atmosphere of the Church at present? Some declare that it’s like springtime, fresh currents stirring, a climate of freedom in which to inquire and discover, freedom to question the prevailing wisdom and established narrative, freedom to critique, freedom to propose alternatives. But others say—or rather whisper—that the atmosphere is stifling, the climate oppressive: they groan in their hearts, and wait for things to change (cf. Rom 8:23).”

Conclusion • My friend Corrinne told me that I usually do a very poor job of concluding my articles. (And she’s correct.) Therefore, let me conclude thus:

(a) Someday, it will be allowed to discuss the merits of the liturgical reforms, but that time is not now;
(b) Just because reforms are needed in the liturgy doesn’t mean we should “throw up our hands” and stop serving JESUS CHRIST;
(c) Let us imitate the example of Saint John Mary Vianney, who did everything he could to make the Mass dignified & beautiful.

* For the record, when the KYRIE ELEISON is sung for the Ordinary Form, the nine-fold version is supposed to be used (just like the Traditional Latin Mass). When it’s spoken, the 1960s six-fold version is used. However, most people seem not to realize this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Abbat Prosper Guéranger, Abbot Joseph Pothier of Solesmes, Cardinal Ferdinando Giuseppe Antonelli OFM, Cardinal Giacomo Lercaro Consilium President, Carmen Gregorianum, Kyrie VIII with Polyphony Added, Louis Bouyer Oratorian Priest, Mass of the Angels With Polyphony, Memoria Sulla Riforma Liturgica ANTONELLI, Responsorial Psalm Last Updated: February 13, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Goupil deserves the name of martyr not only because he has been murdered by the enemies of God and His Church while laboring in ardent charity for his neighbor, but most of all because he was killed for being at prayer and notably for making the Sign of the Cross.

— St. Isaac Jogues (after the martyrdom of Saint René Goupil)

Recent Posts

  • Most “Congregational” Hymn • (In My Experience)
  • Music is the “Humble Handmaid” of the Mass
  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.