• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • “Congregational Booklet” (Printable) for Jeff’s New Mass Setting

Jeff Ostrowski · October 4, 2023

WO THINGS HAPPEN at every Mass: (1) JESUS CHRIST is made present on the Altar; (2) JESUS CHRIST is offered to His Heavenly Father. Catholics in former times had “Sunday clothes” worn only to Mass. During the mass apostasy (pardon the pun) of the 1960s, some attempted to “de-sacralize” the Mass. In response, the CONGREGATION OF SACRED RITES condemned (29 dec 1966) “travesties of worship, springing from mere private initiative” which “tend inevitably to desacralize the liturgy, the purest expression of the worship the Church offers to God.” Even Annibale Bugnini was forced to admit, during a press conference (4 jan 1967), that the Church condemned “music which is profane, thus not worthy of the place of worship; and worldly, that is, of a style whose performance requires or seems to require movements, gestures, and attitudes unworthy of a sacred service.” Here’s one of the actual songs sung at the parish where I grew up (in the 1990s):

*  Mp3 Download • Typical “Church” Song from Jeff’s Youth
—Sung in a rich, suburban, Novus ordo Catholic church in the 1990s.

Wife Gone! • Even as a youngster, I could “sense” such music was totally inappropriate for Mass. Indeed, I had to make sure my wife was out of the house when I made that recording (above) because if she heard me singing that goofy nonsense she’d tell me: “You’re clearly not working; come hold the baby.”

Paul Inwood • Many years later, I found out that “hymn” was composed by a man named PAUL INWOOD, whom I wrote about in 2015 when he praised the 1973 ICEL translation for “concealing” the true meaning of the prayers. According to Inwood: “If we had known what the prayers really said, we would not have wanted to pray them any longer.” A friend sent this recent screenshot showing a statement by Inwood riddled with basic theological errors. Notice how Inwood says nary a word (!) about the SECOND PERSON OF THE DIVINE TRINITY becoming present on the Altar. If that’s really what Paul Inwood believes about the Mass, should anyone be surprised at the type of music he produced for it? Suddenly it all makes sense.

“CONGREGATIONAL BOOKLET” •  Rather than cursing the darkness, let’s light a candle! I recently released all seven (7) movements of my Mass setting in Honor of Saint Noël Chabanel for the Ordinary Form. It involves your CONGREGATION, your CANTRIX, and your CHOIR. My setting was designed to be extremely brief. Since it’s vernacular, it works for choirmasters whose priests have forbidden the traditional lingua sacra of the church. Mr. Seth Bauer requested the following booklet for his congregation. I thought readers might appreciate seeing it:

*  PDF Download • “CONGREGATIONAL BOOKLET”
—Mass setting in Honor of Saint Noël Chabanel (Ordinary Form).

I hope my Mass setting, although relatively simple, is adequately sacred (“set apart”) in style. Rehearsal videos for each movement are available free of charge here.

Is He Proud • Am I proud of my Mass setting? On the one hand, I studied the THESAURUS MUSICAE SACRAE for decades in order to produce it. But on the other hand, we recently welcomed a new baby into our family. I’ve been thinking a lot about the Native Americans with whom Father Noël Chabanel attempted to share the Good News. In those days, what was it like when a Native American had a baby? There was no electricity, no internet, no iPad, no plumbing, no supermarket, no clothing store, no telephone, and no hospital. They were alone out in the woods. After Father Isaac Jogues surrendered voluntarily (!) to comfort the captured Hurons, he was scheduled to be burned alive on Good Friday. How could they keep track of the liturgical season? Every day for months they were placed on torture platforms and slowly burned, cut, abused, hung from cords, and sliced with knives. How could they keep track of what day it was? I mention all these things for a reason. Even though I worked really hard to produce (and record) my Mass setting, a Native American taking care of her baby for a single day probably did more work than I’ve done in my entire life. That’s also why it’s puzzling to see some current church leaders suggest a softening (or elimination) of God’s Commandments because “life in today’s age has special difficulties.”

Article Summary • When I speak of “goofy, undignified music at Mass,” people frequently demand that I cite examples. In today’s article, I recorded a “hymn” popular when I was growing up in the 1990s. I did so in the context of releasing a congregational booklet for a Mass setting I recently released. It’s worth pointing out that I do not condemn people who have sung inappropriate music at Mass. Only God can judge them. I’m sure most had the best of intentions. On the other hand, nobody has been able to persuade me I have an obligation to “hide” or “cover up” or “stay silent about” what I’ve experienced at Mass. Another way to put this would be: This is not a joke to me. I feel called by God to try to improve the church music situation. I’m not doing this because I’m bored. If we really believe what we say we believe, we should not sing goofy music at the holy Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: MASS IN HONOR OF NOEL CHABANEL, Paul Inwood, Paul Inwood Composer, Thesaurus musicae sacrae Last Updated: October 4, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

No concession should ever be made for the singing of the Exsultet, in whole or in part, in the vernacular.

— ‘Fr. Augustin Bea, S.J. in the years immediately before the Second Vatican Council’

Recent Posts

  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.