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Views from the Choir Loft

PDF Download • “Congregational Booklet” (Printable) for Jeff’s New Mass Setting

Jeff Ostrowski · October 4, 2023

WO THINGS HAPPEN at every Mass: (1) JESUS CHRIST is made present on the Altar; (2) JESUS CHRIST is offered to His Heavenly Father. Catholics in former times had “Sunday clothes” worn only to Mass. During the mass apostasy (pardon the pun) of the 1960s, some attempted to “de-sacralize” the Mass. In response, the CONGREGATION OF SACRED RITES condemned (29 dec 1966) “travesties of worship, springing from mere private initiative” which “tend inevitably to desacralize the liturgy, the purest expression of the worship the Church offers to God.” Even Annibale Bugnini was forced to admit, during a press conference (4 jan 1967), that the Church condemned “music which is profane, thus not worthy of the place of worship; and worldly, that is, of a style whose performance requires or seems to require movements, gestures, and attitudes unworthy of a sacred service.” Here’s one of the actual songs sung at the parish where I grew up (in the 1990s):

*  Mp3 Download • Typical “Church” Song from Jeff’s Youth
—Sung in a rich, suburban, Novus ordo Catholic church in the 1990s.

Wife Gone! • Even as a youngster, I could “sense” such music was totally inappropriate for Mass. Indeed, I had to make sure my wife was out of the house when I made that recording (above) because if she heard me singing that goofy nonsense she’d tell me: “You’re clearly not working; come hold the baby.”

Paul Inwood • Many years later, I found out that “hymn” was composed by a man named PAUL INWOOD, whom I wrote about in 2015 when he praised the 1973 ICEL translation for “concealing” the true meaning of the prayers. According to Inwood: “If we had known what the prayers really said, we would not have wanted to pray them any longer.” A friend sent this recent screenshot showing a statement by Inwood riddled with basic theological errors. Notice how Inwood says nary a word (!) about the SECOND PERSON OF THE DIVINE TRINITY becoming present on the Altar. If that’s really what Paul Inwood believes about the Mass, should anyone be surprised at the type of music he produced for it? Suddenly it all makes sense.

“CONGREGATIONAL BOOKLET” •  Rather than cursing the darkness, let’s light a candle! I recently released all seven (7) movements of my Mass setting in Honor of Saint Noël Chabanel for the Ordinary Form. It involves your CONGREGATION, your CANTRIX, and your CHOIR. My setting was designed to be extremely brief. Since it’s vernacular, it works for choirmasters whose priests have forbidden the traditional lingua sacra of the church. Mr. Seth Bauer requested the following booklet for his congregation. I thought readers might appreciate seeing it:

*  PDF Download • “CONGREGATIONAL BOOKLET”
—Mass setting in Honor of Saint Noël Chabanel (Ordinary Form).

I hope my Mass setting, although relatively simple, is adequately sacred (“set apart”) in style. Rehearsal videos for each movement are available free of charge here.

Is He Proud • Am I proud of my Mass setting? On the one hand, I studied the THESAURUS MUSICAE SACRAE for decades in order to produce it. But on the other hand, we recently welcomed a new baby into our family. I’ve been thinking a lot about the Native Americans with whom Father Noël Chabanel attempted to share the Good News. In those days, what was it like when a Native American had a baby? There was no electricity, no internet, no iPad, no plumbing, no supermarket, no clothing store, no telephone, and no hospital. They were alone out in the woods. After Father Isaac Jogues surrendered voluntarily (!) to comfort the captured Hurons, he was scheduled to be burned alive on Good Friday. How could they keep track of the liturgical season? Every day for months they were placed on torture platforms and slowly burned, cut, abused, hung from cords, and sliced with knives. How could they keep track of what day it was? I mention all these things for a reason. Even though I worked really hard to produce (and record) my Mass setting, a Native American taking care of her baby for a single day probably did more work than I’ve done in my entire life. That’s also why it’s puzzling to see some current church leaders suggest a softening (or elimination) of God’s Commandments because “life in today’s age has special difficulties.”

Article Summary • When I speak of “goofy, undignified music at Mass,” people frequently demand that I cite examples. In today’s article, I recorded a “hymn” popular when I was growing up in the 1990s. I did so in the context of releasing a congregational booklet for a Mass setting I recently released. It’s worth pointing out that I do not condemn people who have sung inappropriate music at Mass. Only God can judge them. I’m sure most had the best of intentions. On the other hand, nobody has been able to persuade me I have an obligation to “hide” or “cover up” or “stay silent about” what I’ve experienced at Mass. Another way to put this would be: This is not a joke to me. I feel called by God to try to improve the church music situation. I’m not doing this because I’m bored. If we really believe what we say we believe, we should not sing goofy music at the holy Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: MASS IN HONOR OF NOEL CHABANEL, Paul Inwood, Paul Inwood Composer, Thesaurus musicae sacrae Last Updated: October 4, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III (“Kyrie Deus sempiterne”). This year, I am traveling from Singapore to serve as a member of the faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. Instructions • This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. Feel free to download the score:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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