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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Keenly Rare!” • Gregorian Chant Booklet on 5 Lines (1920) — 326 Pages

Jeff Ostrowski · January 17, 2023

HE FRENCH refer to Catholic priests as R.P. which stands for “Révérend Père.” However, the following booklet—which is extremely rare—was published by a man named “René Paris,” who abbreviates his name as R.P. (This is doubly confusing because many French books, needless to say, were published in the city of Paris.) Monsieur René Paris published a 326-page book of Gregorian Chant written on five-line staves. I think we can assume there must have been a need for such a booklet, otherwise he would not have gone to the trouble of creating it!

Gift To You • Corpus Christi Watershed has obtained this book and had it professionally scanned as a gift to our readers. As I have mentioned before, when plainsong is written on 5 lines, it’s very handy to accompany on the pipe organ:

*  PDF Download • MANUEL DES PROCESSIONS (326 pages)
—Manuel des Processions et Bénédictions du Très Saint Sacrement (René Paris, 1920).

Because it was professionally scanned, it’s an incredibly small file (18MB), which readers will undoubtedly appreciate.

Púer Nátus in Béthlehem • The book is particularly rich in Christmas songs. Here is one of my favorites: “Púer Nátus in Béthlehem.” Can you resist harmonizing this one?

“Ave Rex Noster” • The book contains many pieces I’m not familiar with, such as “Áve Rex Nóster” for the Sacred Heart of Jesus:

“Sálve Regína” • This collection by René Paris is chock-full of Marian pieces, and here’s another one I bet you can’t resist harmonizing:

Saint Joan of Arc • The book has plainsong for “rare” saints such as Joan of Arc and Margaret Mary. I believe those saints are particularly honored in France:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Gregorian Chant by René Paris, Manuel des Processions et Bénédictions du Très Saint Sacrement, Révérend Père French Priests Last Updated: July 25, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

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