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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Archives for November 2022

Jeff Ostrowski · November 17, 2022

“Progress Made!” • 10-Nov-2022

My volunteer choir has felt the repercussions of this year’s (particularly severe) flu season. Nevertheless, I believe in always—always—giving one’s best as a choir director, even when many singers are absent. You can hear by this brief recording that our singers are starting to blend very nicely. And you can download that choral “warm-up” exercise […]

Jeff Ostrowski · November 16, 2022

Mark Your Calendars!

Have you marked your calendar for Sacred Music Symposium 2023? The dates were recently revealed. You don’t want to miss this! This annual event has gained a reputation as the church music conference par excellence vis-à-vis Catholic musicians “in the trenches.”

Corpus Christi Watershed · November 16, 2022

Gregorian Rhythm Wars • “Feedback from Dom Stephen Concordia”

“I greatly appreciate your hospitality and willingness to engage in dialogue.” — Dom Concordia, OSB

Veronica Moreno · November 16, 2022

“A Mother’s New Missal” • Part 1

A mother and her children open the 2022 edition of the “Campion Missal” and find it more compact and very beautiful. Initial impressions include new images, a golden ribbon, and a newly-textured cover.

Dr. Charles Weaver · November 16, 2022

Gregorian Rhythm Wars • “Disputed Questions” (16 Nov 2022)

A few further thoughts on what ways of singing chant are “allowed.”

Patrick Williams · November 16, 2022

Gregorian Rhythm Wars • “Patrick’s Second Response to Jeff” (16 Nov 2022)

“Does it make more sense to judge later manuscripts in light of the oldest sources, or to judge the oldest sources in light of later manuscripts?” —Patrick Williams

Jeff Ostrowski · November 16, 2022

PDF Download • Rare “Kyriale” Organ Accompaniment Book (175 pages)

Including a few brief responses to Professor Charles Weaver.

Jeff Ostrowski · November 14, 2022

A God We Cannot “See”

By the Incarnation, our Savior’s divinity was hidden. In the Eucharist, according to Saint Thomas Aquinas, our Savior also ‘hides’ His manhood. We cannot see God—although we can see Him (through faith) in the SANCTISSIMUM, in the eyes of the poor, in the grandeur of the mountains, and so forth. Hymn #746 in the Brébeuf […]

Corrinne May · November 14, 2022

Help Me Banish ‘Wimpy’ Hymn Texts!

Preparing this blog, I discovered interesting snippets about the hymn, the composer, the translator, and even the poet who penned these lines in Latin!

Dr. Charles Weaver · November 13, 2022

Gregorian Rhythm Wars • “Charlie’s First Response to Jeff” (13 Nov 2022)

Ostrowski, wishing to avoid fussiness, may justifiably refuse this invitation. But to argue, as he has, that these signs and the prayerful and aesthetic movements they embody are “illicit” is just wildly off the mark.

Jeff Ostrowski · November 13, 2022

PDF Download • “Gregorian Accompaniments” … Just in time for Advent! (366 pages)

The second half of today’s article answers questions submitted by Mr. Matthew Frederes.

Jeff Ostrowski · November 12, 2022

Gregorian Rhythm Wars • “Jeff’s First Response to Patrick” (12 Nov 2022)

Mr. Williams, today I challenge you (please) to provide direct responses for two questions.

Jeff Ostrowski · November 11, 2022

This Coming Sunday’s Introit

You can evaluate my attempt to record this Sunday’s INTROIT according to the official rhythm of the Catholic Church. This INTROIT is very well known because it’s repeated over and over at the end of the year, depending on how many Sundays after Pentecost occur in a particular year.

Matthew Frederes · November 10, 2022

Gregorian Rhythm Wars • “Frederes Feedback”

Why declare that rhythmic signs are permitted if alteration of any kind is unacceptable? It doesn’t make any sense…

Jeff Ostrowski · November 10, 2022

Blase Cardinal Cupich Responds Directly to Me!

I will not insult your intelligence by telling you what I suspect happened.

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“To me nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Masses for ever, and not be tired.”

— John Henry Cardinal Newman (1848)

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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