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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for November 2022

Patrick Williams · November 30, 2022

Gregorian Rhythm Wars • “History Matters” (30 Nov 2022)

“It is important that these melodies should be performed in the manner that they were originally conceived as works of art.” —St. Pius X

Jeff Ostrowski · November 29, 2022

“Advent Hymn” • Composed by Flor Peeters

Peeters was organist at Malines Cathedral from 1923 until his death in 1986.

Jeff Ostrowski · November 28, 2022

28 November 2022 • FEEDBACK

“I can’t thank you enough for that four-part download of the Graduale with 5 lines. That is absolutely brilliant! Since I and another guy from the choir chant the Traditional Propers every Sunday, it has proven to be an invaluable resource. Great job of scanning it, too.” —Email received this morning from S.M.D.

Jeff Ostrowski · November 28, 2022

Photographs • Weinmann “Graduale” on 5 Lines!

They were not allowed to remove their boots, so thousands had their feet amputated (as the frostbite often turned into gangrene).

Daniel Tucker · November 27, 2022

Five Pro Tips for Amateur Choirs

Here are five pro-level tips that can help your amateur choirs to both sound more unified and feel more confident.

Jeff Ostrowski · November 27, 2022

PDF Download • “1st Sunday of Advent”

Those who accompany VESPERS FOR THE FIRST SUNDAY OF ADVENT may wish to download this draft copy. It’s the organ accompaniment I use, since my parish has Vespers (in the Extraordinary Form) with our congregation each Sunday afternoon. It looks pretty ‘junky’ but it gets the job done. Someday I hope to make a much […]

Jeff Ostrowski · November 27, 2022

Advent Hymn Experiment

Our volunteer choir tried something I wanted to share…

Jeff Ostrowski · November 26, 2022

“Trochee Trouble” • Say What?

We have posted many articles discussing the French Vs. German way of interpreting syllabic plainsong—which some refer to as “Trochee Trouble.” Needless to say, we encourage everyone to carefully read all those articles. But some folks still don’t understand what “Trochee Trouble” is all about. Therefore, I have created this 1-Page Sheet that explains it […]

Dr. Charles Weaver · November 26, 2022

Gregorian Rhythm Wars • “On the Nuance Theory of Plainchant”

A brief historical survey of free rhythm in plainchant, as practiced from the modern monastic foundation of Solesmes (1833) to the present.

Jeff Ostrowski · November 25, 2022

PDF Download • Traditional Notation Gradual-Book (692 Pages) on Five Lines!

This book makes it easy for singers who only know Treble Clef.

Richard J. Clark · November 22, 2022

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

Join Your Parish Choir! • Why We Sing as a Faith Community

As many parishes struggle, your presence, your voice, your witness to the love of Christ is that much more important!

Patrick Williams · November 21, 2022

Gregorian Rhythm Wars • “Repercussion and the Mora Vocis” (21 Nov 2022)

Patrick Williams addresses points raised by Matthew Frederes and Jeff Ostrowski

Jeff Ostrowski · November 20, 2022

PDF Download • “How Does the Official Rhythm Actually Sound?”

Including three (3) professionally-scanned versions of the Kyriale, released here for the 1st time!

Veronica Brandt · November 19, 2022

Reverence: Feeling or Action?

Maybe we can agree that the Latin Mass has more external signs of reverence. Maybe that will clarify our position.

Jeff Ostrowski · November 18, 2022

Directing Choirs • “Do You Have What It Takes?”

Church music should not be boring! Here I provide eleven (11) ways to keep it awesome.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“…I started down the road of the liturgy, and this became a continuous process of growth into a grand reality transcending all particular individuals and generations, a reality that became an occasion for me of ever-new amazement and discovery. The incredible reality of the Catholic liturgy has accompanied me through all phases of life, and so I shall have to speak of it time and again.”

— Joseph Cardinal Ratzinger

Recent Posts

  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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