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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for November 2022

Patrick Williams · November 30, 2022

Gregorian Rhythm Wars • “History Matters” (30 Nov 2022)

“It is important that these melodies should be performed in the manner that they were originally conceived as works of art.” —St. Pius X

Jeff Ostrowski · November 29, 2022

“Advent Hymn” • Composed by Flor Peeters

Peeters was organist at Malines Cathedral from 1923 until his death in 1986.

Jeff Ostrowski · November 28, 2022

28 November 2022 • FEEDBACK

“I can’t thank you enough for that four-part download of the Graduale with 5 lines. That is absolutely brilliant! Since I and another guy from the choir chant the Traditional Propers every Sunday, it has proven to be an invaluable resource. Great job of scanning it, too.” —Email received this morning from S.M.D.

Jeff Ostrowski · November 28, 2022

Photographs • Weinmann “Graduale” on 5 Lines!

They were not allowed to remove their boots, so thousands had their feet amputated (as the frostbite often turned into gangrene).

Daniel Tucker · November 27, 2022

Five Pro Tips for Amateur Choirs

Here are five pro-level tips that can help your amateur choirs to both sound more unified and feel more confident.

Jeff Ostrowski · November 27, 2022

PDF Download • “1st Sunday of Advent”

Those who accompany VESPERS FOR THE FIRST SUNDAY OF ADVENT may wish to download this draft copy. It’s the organ accompaniment I use, since my parish has Vespers (in the Extraordinary Form) with our congregation each Sunday afternoon. It looks pretty ‘junky’ but it gets the job done. Someday I hope to make a much […]

Jeff Ostrowski · November 27, 2022

Advent Hymn Experiment

Our volunteer choir tried something I wanted to share…

Jeff Ostrowski · November 26, 2022

“Trochee Trouble” • Say What?

We have posted many articles discussing the French Vs. German way of interpreting syllabic plainsong—which some refer to as “Trochee Trouble.” Needless to say, we encourage everyone to carefully read all those articles. But some folks still don’t understand what “Trochee Trouble” is all about. Therefore, I have created this 1-Page Sheet that explains it […]

Dr. Charles Weaver · November 26, 2022

Gregorian Rhythm Wars • “On the Nuance Theory of Plainchant”

A brief historical survey of free rhythm in plainchant, as practiced from the modern monastic foundation of Solesmes (1833) to the present.

Jeff Ostrowski · November 25, 2022

PDF Download • Traditional Notation Gradual-Book (692 Pages) on Five Lines!

This book makes it easy for singers who only know Treble Clef.

Richard J. Clark · November 22, 2022

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

Join Your Parish Choir! • Why We Sing as a Faith Community

As many parishes struggle, your presence, your voice, your witness to the love of Christ is that much more important!

Patrick Williams · November 21, 2022

Gregorian Rhythm Wars • “Repercussion and the Mora Vocis” (21 Nov 2022)

Patrick Williams addresses points raised by Matthew Frederes and Jeff Ostrowski

Jeff Ostrowski · November 20, 2022

PDF Download • “How Does the Official Rhythm Actually Sound?”

Including three (3) professionally-scanned versions of the Kyriale, released here for the 1st time!

Veronica Brandt · November 19, 2022

Reverence: Feeling or Action?

Maybe we can agree that the Latin Mass has more external signs of reverence. Maybe that will clarify our position.

Jeff Ostrowski · November 18, 2022

Directing Choirs • “Do You Have What It Takes?”

Church music should not be boring! Here I provide eleven (11) ways to keep it awesome.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

In 1951 (and again in 1952 and 1955) the Sacred Congregation of Rites gave permission to the bishops of the whole world to celebrate the “Vigil of the Lord’s Resurrection” as much as possible in conformity with the ancient ceremonial: the most noticeable change was to transfer the ceremonies to the late evening of Holy Saturday. During the experimental period the text of the Missal remains unchanged, and a special “Ordo Sancti Sabbati” has been published.

— Charles Richard Anthony Cunliffe (1955)

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • Comm. Fauxbourdon • “What does it sound like?”
  • “Ad Te Levavi” • Variant
  • Spectacular Communion Setting!
  • Now That You’re Shunning Bad Hymns … Stop Announcing Them!

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