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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Choir Warm-Up Exercise”

Jeff Ostrowski · September 10, 2022

ERE’S A WARM-UP exercise I wrote for my choir. Some may wish to download it and try it out with your singers. This exercise—when sung properly—should reinforce the following : (1) Correct intonation; (2) Proper Choral Vowels [“Faw” not “Fah”]; (3) The relationship and function of different pitches of the scale; (4) Blending with the other singers; (5) Watching the conductor [during the final section].

Give Us Time • We tried it out for the first time last night at rehearsal. It came out fine, but I will record it again in a few weeks—after we’ve had a chance to let it “sink in”—and I guarantee it will be pristine. Here’s our first attempt:

*  PDF Download • Jeff’s Warm-Up Exercise [color]
—1.3MB free download • Vocal Warm-Up for Volunteer Choirs.
—You can also download the Black & White Version.

The volunteer choir I’m blessed to conduct attempted this warm-up exercise for the second time on 15 September 2022.

You can also stretch out different chords and make sure every singer is in tune.

Here’s a live recording of one of the choral warmup exercises we like to do, taken during our rehearsal on 27 January 2023.

Update (11-10-2022): My volunteer choir has felt the repercussions of this year’s (particularly severe) flu season. Nevertheless, I believe in always—always—giving your best as a choir director, even when many singers are absent. You can hear by this brief recording that our singers are starting to blend very nicely.

Addendum • I have a very obnoxious ‘teacher’ voice. I became aware of this when I heard the video. The warm-up exercise currently has a place next to our “opening prayer” with which we open every meeting, and which our choir members quickly memorize:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Choir Warm-Up Exercise, Proper Choral Vowels, Vocal Warm-Up Last Updated: January 29, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will ever persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“These liturgists protest that the choir must be encouraged, but in the same breath we are told its purpose is to lead the congregation in the singing of hymns and other unison music. These directions from non-musicians who have never created a musical sound—let alone direct a choir—are the cause of consternation among practicing musicians, both instrumentalists and singers.”

— Monsignor Richard J. Schuler (30 November 1967)

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  • “Lindisfarne Gospels” • Created circa 705 A.D.
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