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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Glory To God” (Three Voices)

Jeff Ostrowski · January 12, 2022

ATHER Cristóbal de Morales joined the papal choir on 1 September 1535, the very same day Pope Paul III commissioned Michelangelo to paint the Sistine Chapel altar wall. Later, Morales said that Paul III personally chose him for the choir. No Spanish composer of the 16th century was more lauded during his lifetime—and for two hundred years after his death—than Morales. I personally believe his student, Father Francisco Guerrero, was an even greater composer; but it’s not really fair to compare them, since Father Morales must be viewed as “way ahead of his time,” whereas Father Guerrero had the benefit of discoveries Morales made.1

Less than 0.001%: Choirmasters who direct small choirs are always looking for great repertoire. The following incorporates a tiny little musical excerpt pillaged from a much larger work by Father Morales. Indeed, it represents less than 0.001% of his total output; but even the longest journey begins with a single step. Once your choir knows the piece, encourage them to read directly from the 14th-century notation (included in the PDF file) because this often heightens musicality.

Listen to a live recording our 9:00am “small choir” made last Sunday:

Listen to a short excerpt of the polyphonic section:

*  Mp3 Download • SHORT EXCERPT

Download the file: You can freely download the PDF file—along with rehearsal videos for each individual voice—by clicking on #55315 and searching for “55315.”

This article is part of an ongoing (loosely connected)
series called: Repertoire for Small Choirs

 


NOTES FROM THIS ARTICLE:

1   Father Morales first began to publish in 1539; two years later he was called “the most excellent Morales” and the next two decades saw forty (!) different publications containing his compositions appear at such diverse centers as Antwerp, Augsburg, Lyons, Milan, Nuremberg, Rome, Salamanca, Valladolid, Venice, and Wittenberg.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Composer Cristobal de Morales, Pieces For Small Choirs Last Updated: January 14, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

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