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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Catholic Composer Cristobal de Morales

Jeff Ostrowski · February 4, 2023

Church Music Shouldn’t Be “Headache-Inducing”

Authentic sacred music should attract people. It should not drive them away.

Jeff Ostrowski · November 8, 2022

“Whoever controls the language controls the Masses.”

“Missa Back-To-The-Future” (a recent OCP offering) isn’t part of the treasury mandated by Vatican II; nor do I belong on the basketball court with Michael Jordan.

Jeff Ostrowski · September 9, 2022

“Defending the English” • Brief Riposte from Uganda

“As for the subject of whether the music of Tallis, Taverner, and Tye was tainted by the reformation, I would agree with Mr. Ostrowski.” —Reader from Uganda

Corpus Christi Watershed · May 3, 2022

“Repertoire Page” • Sacred Music Symposium 2022

Sign up today! A few voice parts still have openings.

Jeff Ostrowski · January 12, 2022

PDF Download • “Glory To God” (Three Voices)

Those who direct small choirs are always looking for great repertoire.

Jeff Ostrowski · September 14, 2021

PDF Download • Three Myths About Hymns

Did you know Catholics began translating hymns from Latin into the vernacular about 400 years before the Protestant Revolution?

Follow the Discussion on Facebook

Jeff Ostrowski · August 6, 2021

PDF Download • Alleluia (SATB) by Morales for “Ordinary Form” + “Extraordinary Form”

This piece works well in the “OF” (Ordinary Form) and also the “EF” (Extraordinary Form).

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Jeff Ostrowski · August 6, 2020

Allowed or Forbidden? • Parallel Fourths in Renaissance Polyphony

Article Subtitle: “Brave schola director posts live recording from rehearsal.”

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Jeff Ostrowski · March 7, 2020

Father Cristóbal de Morales • “Missa Mille Regretz”

Some believe Stevenson was the greatest musicologist of all time, but I believe he made an error here.

Jeff Ostrowski · March 12, 2016

PDF Download • Spanish Cathedral Music (1961)

“On Holy Saturday in 1545, while the pope and several cardinals were present, two of the oldest choir members flew at each other during the blessing of the new oils…”

Jeff Ostrowski · January 12, 2015

Cristóbal de Morales Missa “Ut Re Mi Fa Sol La.”

You’ll want to immediately download these scores, videos, and Mp3 files!

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Corpus Christi Watershed

Quick Thoughts

    Vespers Booklet (4th Sunday of Lent)
    The organ accompaniment booklet (24 pages) which I created for the 4th Sunday of Lent (“Lætare Sunday”) may now be downloaded, for those who desire such a thing.
    —Jeff Ostrowski
    Vespers Booklet, 3rd Sunday of Lent
    The organ accompaniment I created for the 3rd Sunday of Lent (“Extraordinary Form”) may now be downloaded, if anyone is interested in this.
    —Jeff Ostrowski
    Weeping For Joy! (We Hope!)
    Listening to this Easter Alleluia—an SATB arrangement I made twenty years ago based on the work of Monsignor Jules Van Nuffel—one of our readers left this comment: “I get tears in my eyes each time I sing to this hymn.” I hope this person is weeping for joy!
    —Jeff Ostrowski

Random Quote

“Only against this background, of the effective denial of the authority of Trent, can one understand the bitterness of the struggle against allowing the celebration of Mass according to the 1962 Missal after the liturgical reform. The possibility of so celebrating constitutes the strongest, and thus (for them) the most intolerable contradiction of the opinion of those who believe that the faith in the Eucharist, as formulated by Trent, has lost its validity.”

— Cardinal Ratzinger, 2001

Recent Posts

  • Who Should Sing the Passion? What about Tracts?
  • “Seventy-Three (73) Changes” • Which Pope Pius XII Made to Holy Week
  • Three (3) Tricks Every Choir Director Should Learn
  • Question: “How Do You Read The Official Edition?”
  • PDF Download • “Organ Accompaniment Booklet” (Passion Sunday Vespers) — 24 pages

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.