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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Pater Noster” by Van Nuffel (1937)

Jeff Ostrowski · August 27, 2021

ARDINAL MERCIER told the young Fulton J. Sheen something he never forgot: “Tear up your notes at the end of each semester.” When teachers don’t learn new things, they stagnate. Throughout my career, I have tried to follow the advice of Cardinal Mercier: I’m always looking for new music. I don’t teach the same pieces over and over and over. And below is a fascinating composition I discovered a few years ago when I was searching for repertoire for the Sacred Music Symposium which is held annually in Los Angeles (although it is currently postponed due to Covid-19).

“Our Father” SATB: Monsignor Van Nuffel was ordained by Cardinal Mercier in 1907. Thirty years later, he published this magnificent choral setting of the LORD’S PRAYER. He breaks many ‘proper’ rules of voice-leading, yet somehow creates an utter masterpiece. I suspect it was sung during the Divine Office; it would not have been sung during the Mass of the 1930s. You can download the piece in two different keys:

*  PDF Download • PATER NOSTER — “G Aeolian”
—Transposed to a higher (more comfortable) key.

*  PDF Download • PATER NOSTER — “F Aeolian”
—In the original key, for choirs with very low basses.

Everyone should be
taking advantage of these
free rehearsal videos—
for each individual voice:

EQUAL VOICES :   Lower Key   •   Higher Key

SOPRANO :   Lower Key   •   Higher Key

ALTO :   Lower Key   •   Higher Key

TENOR :   Lower Key   •   Higher Key

BASS :   Lower Key   •   Higher Key

Below is a picture of Cardinal Mercier in 1926. From what I can tell, the inscription says: The Most Eminent and Reverend Desideratus Joseph Cardinal Mercier (in French: Désiré-Joseph Mercier), the Archbishop of Malines.

From a Latin scholar:

Eminentissimus ac Reverendissimus Dominus Desiderius Josephus Cardinalis Mercier Archiepiscopus Mechlinensis aet. a. LXXV

Which, being translated, is:

The Most Eminent and Most Reverend Lord Désiré-Joseph Cardinal Mercier Archbishop of Mechelen (or: Malines) in the 75th year of his age

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: Canon Jules Van Nuffel d 1953, Pater Noster Music Last Updated: September 1, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

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