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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Pater Noster” by Van Nuffel (1937)

Jeff Ostrowski · August 27, 2021

ARDINAL MERCIER told the young Fulton J. Sheen something he never forgot: “Tear up your notes at the end of each semester.” When teachers don’t learn new things, they stagnate. Throughout my career, I have tried to follow the advice of Cardinal Mercier: I’m always looking for new music. I don’t teach the same pieces over and over and over. And below is a fascinating composition I discovered a few years ago when I was searching for repertoire for the Sacred Music Symposium which is held annually in Los Angeles (although it is currently postponed due to Covid-19).

“Our Father” SATB: Monsignor Van Nuffel was ordained by Cardinal Mercier in 1907. Thirty years later, he published this magnificent choral setting of the LORD’S PRAYER. He breaks many ‘proper’ rules of voice-leading, yet somehow creates an utter masterpiece. I suspect it was sung during the Divine Office; it would not have been sung during the Mass of the 1930s. You can download the piece in two different keys:

*  PDF Download • PATER NOSTER — “G Aeolian”
—Transposed to a higher (more comfortable) key.

*  PDF Download • PATER NOSTER — “F Aeolian”
—In the original key, for choirs with very low basses.

Everyone should be
taking advantage of these
free rehearsal videos—
for each individual voice:

EQUAL VOICES :   Lower Key   •   Higher Key

SOPRANO :   Lower Key   •   Higher Key

ALTO :   Lower Key   •   Higher Key

TENOR :   Lower Key   •   Higher Key

BASS :   Lower Key   •   Higher Key

Below is a picture of Cardinal Mercier in 1926. From what I can tell, the inscription says: The Most Eminent and Reverend Desideratus Joseph Cardinal Mercier (in French: Désiré-Joseph Mercier), the Archbishop of Malines.

From a Latin scholar:

Eminentissimus ac Reverendissimus Dominus Desiderius Josephus Cardinalis Mercier Archiepiscopus Mechlinensis aet. a. LXXV

Which, being translated, is:

The Most Eminent and Most Reverend Lord Désiré-Joseph Cardinal Mercier Archbishop of Mechelen (or: Malines) in the 75th year of his age

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: Canon Jules Van Nuffel d 1953, Pater Noster Music Last Updated: September 1, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

On October 14, 1968, our Holy Father, Pope Paul VI, in an address to the Roman liturgy Consilium, pointed out the abuse which wants to “remove the sacred from liturgical worship and replace the holy with the commonplace and the every-day.”

— Quoted by Roger Wagner in a 1970 article

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