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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Sanctus for Three Voices” (Soprano, Alto, and Bass)

Jeff Ostrowski · April 6, 2021

OU WILL SURELY agree that generous people made a difference in your life, but sometimes you didn’t appreciate their kindness until decades later. The team at Corpus Christi Watershed is betting on something. May I tell you what we’re betting on? We believe that the subjects we explore will give ideas and inspiration to church musicians. As a result, we hope that virtuous readers will say: “I really appreciate having this group to give me inspiration, nice articles, and rare PDF downloads.” Then, we hope you will donate $5.00 per month and help us survive. We have no major donors and no endowment—we only survive from generous Catholics who give $5.00 per month.

Harmonized Plainsong :

Today I would like to speak about the concept of harmonized Gregorian chant. In the past, we have seen this with “O Filii Et Filiae” by Monsignor Jules Van Nuffel. You can hear a recording, or you can download the score if you go scroll down to #5909.

Here is a “harmonized chant” by the successor of Monsignor Jules Van Nuffel, a wonderful composer named Monsignor Jules Vyverman. We were only allowed to have one rehearsal for Easter Sunday (thanks to Mdme. Covid-19) so we quickly put together this SANCTUS for three voices:

*  PDF Download • “SANCTUS” for Soprano, Alto, and Bass
—A setting Monsignor Jules Vyverman.

Richard Rice Kyrie VIII :

Another fantastic example of harmonized plainsong is the Mass VIII (Missa de Angelis) setting by Richard Rice. Thanks to generous permission from the composer (21 June 2015), you can download the score and rehearsal videos at #4781. Moreover, Mr. Rice has composed a complete setting of all the movements to Mass VIII.

Here is the live recording from Easter Sunday in Los Angeles.

Of course I am biased, but I really feel there are some glorious moments here—in spite of the fact it was done with only one rehearsal. I’m so proud of the way the singers have responded to the draconian restrictions of Covid-19.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Canon Jules Van Nuffel d 1953, Gregorian Mass XVII, Harmonized Gregorian Chant, Mass of the Angels, Missa de angelis, Monsignor Jules Vyverman, O Filii Et Filiae Last Updated: April 30, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Religious worship supplies all our spiritual need, and suits every mood of mind and variety of circumstance.

— John Henry Cardinal Newman

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  • “Music List” • 29th in Ordinary Time (Year C)

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