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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Sanctus for Three Voices” (Soprano, Alto, and Bass)

Jeff Ostrowski · April 6, 2021

OU WILL SURELY agree that generous people made a difference in your life, but sometimes you didn’t appreciate their kindness until decades later. The team at Corpus Christi Watershed is betting on something. May I tell you what we’re betting on? We believe that the subjects we explore will give ideas and inspiration to church musicians. As a result, we hope that virtuous readers will say: “I really appreciate having this group to give me inspiration, nice articles, and rare PDF downloads.” Then, we hope you will donate $5.00 per month and help us survive. We have no major donors and no endowment—we only survive from generous Catholics who give $5.00 per month.

Harmonized Plainsong :

Today I would like to speak about the concept of harmonized Gregorian chant. In the past, we have seen this with “O Filii Et Filiae” by Monsignor Jules Van Nuffel. You can hear a recording, or you can download the score if you go scroll down to #5909.

Here is a “harmonized chant” by the successor of Monsignor Jules Van Nuffel, a wonderful composer named Monsignor Jules Vyverman. We were only allowed to have one rehearsal for Easter Sunday (thanks to Mdme. Covid-19) so we quickly put together this SANCTUS for three voices:

*  PDF Download • “SANCTUS” for Soprano, Alto, and Bass
—A setting Monsignor Jules Vyverman.

Richard Rice Kyrie VIII :

Another fantastic example of harmonized plainsong is the Mass VIII (Missa de Angelis) setting by Richard Rice. Thanks to generous permission from the composer (21 June 2015), you can download the score and rehearsal videos at #4781. Moreover, Mr. Rice has composed a complete setting of all the movements to Mass VIII.

Here is the live recording from Easter Sunday in Los Angeles.

Of course I am biased, but I really feel there are some glorious moments here—in spite of the fact it was done with only one rehearsal. I’m so proud of the way the singers have responded to the draconian restrictions of Covid-19.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Canon Jules Van Nuffel d 1953, Gregorian Mass XVII, Harmonized Gregorian Chant, Mass of the Angels, Missa de angelis, Monsignor Jules Vyverman, O Filii Et Filiae Last Updated: April 30, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

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