“Stella Caeli Exstirpavit” • Gregorian Chant During Times Of Pestilence
I would give anything to know how these girls created this recording—because it’s free rhythm!
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
I would give anything to know how these girls created this recording—because it’s free rhythm!
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The pop-up has been taken down…plus, a small gift to our readers!
Have you seen the viral video of four men singing Ubi Caritas in a stairwell? Here are some thoughts on this phenomenon.
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Supremely rare Belgian book with Gregorian Chant!
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We are asking our readers to give $5.00 per month (or even $3.00 per month) so we can keep our website online. Here are five recent messages from donors: (#1) Your site is a Godsend. It must continue. I am a church mouse but I can afford $5 a month. Let’s help keep the beautiful […]
To you and your colleagues who helped produce the Brébeuf hymnal, I wanted to drop a line to say “bravo.” I just got a copy and immediately ordered the choral supplement (I ought to have just gotten it in the first place). What an achievement this book is! This is the sort of hymnal one […]
If this had caught on, every chant book—along with every psalm setting of Palestrina, Victoria, Morales, Guerrero, etc.—would have become “garbage” overnight.
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Dr. Gregory Hamilton is a widely published composer and accomplished performer currently on the faculty of Holy Trinity Seminary in Dallas TX.
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Religious instruction from Fr. Robert Nash, SJ. (1943 Imprimatur)
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The fourth installment—“Mass settings that work well, even with a single cantor + organist.”
(#1) “Thank you for all the great work you do to provide music and rehearsal videos for all of us to use! It has been invaluable to those music and choir directors who’ve had to build a Gregorian chant schola from scratch! May God continue to bless all you do to promote sacred music for […]
I doubt the Divine Office in the vernacular could have been more beautifully sung.
One common place for musicians to feel wear and tear is in the neck. Here’s how to release it.
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