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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for June 2020

Richard J. Clark · June 19, 2020

Silence and The Thoughts of His Heart

Our souls are hurting and in crisis. I have no words.

Jeff Ostrowski · June 18, 2020

“Society of Saint Bede” • Free Liturgical Resources

From what I can tell, the website has been around since 2012.

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Fr. David Friel · June 17, 2020

Devotional Catholicism and the Domestic Church

Part 3 of a webinar series hosted by the Society for Catholic Liturgy

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Jeff Ostrowski · June 17, 2020

PDF Download • “Saint Anne Line Mass”

I will release five (5) Mass settings which come off well with a single cantor & organist; today is the 2nd installment.

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Jeff Ostrowski · June 16, 2020

How Good Are Your Musical Ears? • (Speedy Test)

Can you hear the difference between females and males?

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Keven Smith · June 15, 2020

Real Life in a Large Church Choir Program (Part II)

Yes, children as young as seven or eight will focus and listen as you’re teaching them solfege scales, rhythm patterns, beautiful Latin vowels, and more!

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Fr. David Friel · June 14, 2020

Liturgical Handwashing

Some recommendations from the CDC fit quite naturally with Catholic liturgical sensibilities.

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Dr. Alfred Calabrese · June 14, 2020

Live Recording (42 min) • “Vespers for the Sacred Heart”

You will hear, as the service progresses, how unisons become more and more refined and how subtlety finds its way into the psalmody.

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Veronica Moreno · June 13, 2020

O Sacred Heart, On Earth Thou Art An Exile’s Rest

A homeschooling mother teaches a hymn and a chant to her children, in the hopes that they “stick” in their hearts forevermore. The hymn is “O Sacred Heart” and the chant is “Ave Verum Corpus”.

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Jeff Ostrowski · June 12, 2020

Recorded Music At Mass?

Lorin Maazel was conducting major orchestras at the tender age of eight.

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Fr. David Friel · June 11, 2020

Virtual Sacred Music Colloquium 2020

The CMAA will offer a virtual version of its annual, week-long workshop.

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Jeff Ostrowski · June 11, 2020

PDF Download • “Saint Ralph Sherwin Mass”

Over the next few weeks, I will release five (5) different Mass settings which can be sung with a single cantor & organist.

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Jeff Ostrowski · June 10, 2020

Organ Accompaniment • “Pater Noster” (in Latin)

In the Ordinary Form, the “Our Father” is sung by all present.

Jeff Ostrowski · June 10, 2020

Positive Message from a Catholic Priest

Today, we received this wonderful message from a Catholic Priest: I want to say thank you for everything you have done to bring back the sense of the sacred in The liturgy. We are going through a liturgical renewal here in the parish where I was assigned as a parochial vicar. I’ve only been a […]

Fr. David Friel · June 9, 2020

Why We Sing the Liturgy

Part 2 of a webinar series hosted by the Society for Catholic Liturgy

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“In 1848, Franz Liszt attended a performance of Schumann’s 1st Piano Trio, held in his honor in the Schumanns’ home. Liszt arrived two hours late with Wagner (who hadn’t been invited), derided the piece, and spoke ill of the recently deceased Mendelssohn. This upset the Schumanns, and Robert physically assaulted Liszt.”

— Janita Hall-Swadley

Recent Posts

  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)
  • Gorgeous Image of Monks Singing!
  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

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