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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

O Sacred Heart, On Earth Thou Art An Exile’s Rest

Veronica Moreno · June 13, 2020

S OUR SCHOOL YEAR comes to an end, we slow down our academic endeavors but never fully stop enjoying the feast that is truth, goodness, and beauty. One of the delicacies that remains throughout the summer months is our hymn/chant study and this month we have chosen to learn “O Sacred Heart” and “Ave Verum Corpus.”

The month of June is dedicated to the Most Sacred Heart of Jesus, which is quite fitting for these times. This past week, the Church also celebrated the Feast of Corpus Christi. “The feast of Corpus Christi was proposed by St. Thomas Aquinas, Doctor of the Church, to Pope Urban IV in order to create a feast focused solely on the Holy Eucharist, emphasizing the joy of the Eucharist being the Body and Blood, Soul and Divinity of Jesus Christ.” 1

O Sacred Heart

The hymn, “O Sacred Heart,” was written by Francis Stanfield (1835-1914), an English Catholic priest, who worked in Westminster. He is known for writing many hymns. He was the son a landscape artist and was friends with Charles Dickens (a fun fact my daughter enjoyed!). The hymn is set to a tune by Sir Richard R. Terry, a musicologist, who after his conversion to Catholicism, “began the massively important work of reviving the Latin music of Tudor English composers such as William Byrd and Thomas Tallis.” 2


The sheet music can be found in “The Westminster Hymnal” 3 and my children picked up the tune quickly. When reading through the verses, before listening to the hymn, I asked my children to reflect on the first verse:

O Sacred Heart!
Our home lies deep in Thee.
On earth Thou art an exile’s rest,
In heaven the glory of the blest,
O Sacred Heart!

We discussed the word ‘exile’ and they gave me many examples of people they had read about who had been banished, which included: Adam and Eve, the Earl of Kent (from King Lear), and Benedict Arnold. I then asked them to re-read the verse and tell me who were the ‘exiles’ referenced in the lyrics. The conversation that followed covered heaven, hell, our true home, and what can keep us from getting there. It was a wonderful opportunity to use such a beautiful hymn to discuss the theological complexities of our Faith.

Ave Verum Corpus

In addition to a hymn, we study a chant. This month, in honor of the Feast of Corpus Christi, we are learning “Ave Verum Corpus.” The melody is hauntingly beautiful. This Eucharistic chant was sung during the elevation of the host at Mass during the Middle Ages. There are many musical settings of this piece, but most are familiar with Mozart’s.

Hail, true Body born
of Mary the Virgin.
Truly suffering, sacrificed
on the cross for man;
from Whose pierced side
flowed water and blood.
Be to us a foretaste
at death’s trial,
O sweet Jesus, O loving Jesus,
O Jesus, Son of Mary.

 

Once again, we read the words in English, before listening to the chant, and I asked my children to focus on the line: “Be to us a foretaste at death’s trial.” I left the discussion open and asked what they thought about that line. My daughter immediately shouted, “Its like heaven on earth!” And from that starting point, the conversation began. After talking, we went through a few of the Latin words to continue to build up our vocabulary and then I sang the chant for them three times before they attempted to join in.

When the children are familiar with “Ave Verum Corpus” it would be a great idea to have them listen to one or two other versions (Mozart, Lizst, Byrd, Lassus, etc.) and compare and contrast the pieces. This is a great exercise in listening and a chance to introduce them to the feast of beautiful sacred music the world has to offer!

Throughout the month of June we will continue to sing the hymn and chant everyday after our morning rosary, in addition to singing them on the Feast of Corpus Christi and the Feast of the Sacred Heart of Jesus.

In all honesty, like many forms of music that “stick”, I have caught my children belting these songs as they play “Mass”, stomp through the house, or do their vacuuming chores. May these melodies “stick” in their hearts into adult-hood.

Most Sacred Heart of Jesus, have mercy on us.



NOTES FROM THIS ARTICLE:

1   For a brief overview of the feast of Corpus Christi, go here.

2   For more on Sir Richard Runciman Terry, go here.

3   You can download the New Westminster Hymnal at this link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: New Westminster Hymnal Last Updated: June 13, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“As a little child, Christ is presented in the temple, the Lawgiver obeying His law. Here the Redeemer offers Himself and is redeemed at a pauper’s price.”

— Father Augustine Thomas Ricchini (d. 1779)

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