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Views from the Choir Loft

O Sacred Heart, On Earth Thou Art An Exile’s Rest

Veronica Moreno · June 13, 2020

S OUR SCHOOL YEAR comes to an end, we slow down our academic endeavors but never fully stop enjoying the feast that is truth, goodness, and beauty. One of the delicacies that remains throughout the summer months is our hymn/chant study and this month we have chosen to learn “O Sacred Heart” and “Ave Verum Corpus.”

The month of June is dedicated to the Most Sacred Heart of Jesus, which is quite fitting for these times. This past week, the Church also celebrated the Feast of Corpus Christi. “The feast of Corpus Christi was proposed by St. Thomas Aquinas, Doctor of the Church, to Pope Urban IV in order to create a feast focused solely on the Holy Eucharist, emphasizing the joy of the Eucharist being the Body and Blood, Soul and Divinity of Jesus Christ.” 1

O Sacred Heart

The hymn, “O Sacred Heart,” was written by Francis Stanfield (1835-1914), an English Catholic priest, who worked in Westminster. He is known for writing many hymns. He was the son a landscape artist and was friends with Charles Dickens (a fun fact my daughter enjoyed!). The hymn is set to a tune by Sir Richard R. Terry, a musicologist, who after his conversion to Catholicism, “began the massively important work of reviving the Latin music of Tudor English composers such as William Byrd and Thomas Tallis.” 2


The sheet music can be found in “The Westminster Hymnal” 3 and my children picked up the tune quickly. When reading through the verses, before listening to the hymn, I asked my children to reflect on the first verse:

O Sacred Heart!
Our home lies deep in Thee.
On earth Thou art an exile’s rest,
In heaven the glory of the blest,
O Sacred Heart!

We discussed the word ‘exile’ and they gave me many examples of people they had read about who had been banished, which included: Adam and Eve, the Earl of Kent (from King Lear), and Benedict Arnold. I then asked them to re-read the verse and tell me who were the ‘exiles’ referenced in the lyrics. The conversation that followed covered heaven, hell, our true home, and what can keep us from getting there. It was a wonderful opportunity to use such a beautiful hymn to discuss the theological complexities of our Faith.

Ave Verum Corpus

In addition to a hymn, we study a chant. This month, in honor of the Feast of Corpus Christi, we are learning “Ave Verum Corpus.” The melody is hauntingly beautiful. This Eucharistic chant was sung during the elevation of the host at Mass during the Middle Ages. There are many musical settings of this piece, but most are familiar with Mozart’s.

Hail, true Body born
of Mary the Virgin.
Truly suffering, sacrificed
on the cross for man;
from Whose pierced side
flowed water and blood.
Be to us a foretaste
at death’s trial,
O sweet Jesus, O loving Jesus,
O Jesus, Son of Mary.

 

Once again, we read the words in English, before listening to the chant, and I asked my children to focus on the line: “Be to us a foretaste at death’s trial.” I left the discussion open and asked what they thought about that line. My daughter immediately shouted, “Its like heaven on earth!” And from that starting point, the conversation began. After talking, we went through a few of the Latin words to continue to build up our vocabulary and then I sang the chant for them three times before they attempted to join in.

When the children are familiar with “Ave Verum Corpus” it would be a great idea to have them listen to one or two other versions (Mozart, Lizst, Byrd, Lassus, etc.) and compare and contrast the pieces. This is a great exercise in listening and a chance to introduce them to the feast of beautiful sacred music the world has to offer!

Throughout the month of June we will continue to sing the hymn and chant everyday after our morning rosary, in addition to singing them on the Feast of Corpus Christi and the Feast of the Sacred Heart of Jesus.

In all honesty, like many forms of music that “stick”, I have caught my children belting these songs as they play “Mass”, stomp through the house, or do their vacuuming chores. May these melodies “stick” in their hearts into adult-hood.

Most Sacred Heart of Jesus, have mercy on us.



NOTES FROM THIS ARTICLE:

1   For a brief overview of the feast of Corpus Christi, go here.

2   For more on Sir Richard Runciman Terry, go here.

3   You can download the New Westminster Hymnal at this link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: New Westminster Hymnal Last Updated: June 13, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

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