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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for February 2020

Jeff Ostrowski · February 28, 2020

iPhone Clip • “Sight-Reading Hosanna the First Time”

I found this on my iPhone from 2018…

Veronica Moreno · February 27, 2020

Organ Scholarship at Christendom College

Christendom College will offer free organ lessons and $500 in tuition reduction for a student starting in the Fall of 2020.

Jeff Ostrowski · February 26, 2020

PDF Download • “Hymnal of Christian Unity” (1964)

There’s something comforting about the Brébeuf hymnal translations, since they were created by Catholic priests.

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Andrea Leal · February 25, 2020

Why Should You Come to the Symposium?

The fruits of attending the Symposium will extend throughout the generations.

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Dr. Lucas Tappan · February 25, 2020

Vaughan Williams’ Sage Advice for Those Appointing Martin Baker’s Successor

A comment on the importance of the role of director of music a Westminster Cathedral, following the resignation of Martin Baker, offered by Gregory Treloar.

Jeff Ostrowski · February 24, 2020

“Notwithstanding all our troubles, we sing Mass” —1601 AD

Let’s remember this sentence when we are tempted to complain about our (holy) vocation providing music for Mass!

Fr. David Friel · February 23, 2020

Exploring the 5th/6th-Century Mosaics of Ravenna

These magnificent images are not only attractive to behold, but also deeply theological.

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William J. Fritz · February 21, 2020

What Kind of Interest is there in a Gregorian Chant Class?

Have you ever considered how a class on Gregorian chant would be received? Why is there an increasing desire among Catholics to include chant in the Mass and liturgy? Look at how one such class was received in Southern California. Outline included of class structure.

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Wilfrid Jones · February 20, 2020

Beyond performing and listening

The way we do music says a lot about how we see ourselves and our relationship to those around us. What does that say about music in the liturgy?

Dr. Gregory Hamilton · February 20, 2020

Secret Sympathy

“Our souls are moved to the ardor of piety by the sacred words more piously and powerfully when these words are sung…” —St. Augustine

Jeff Ostrowski · February 20, 2020

Absolutely Sensational Video About The Sacred Music Symposium!

It’s difficult to imagine a more breathtaking video—the beauty is staggering!

Dr. Alfred Calabrese · February 18, 2020

Olivier Latry: Recital in Dallas This Sunday

I am thrilled that my parish, St. Rita Catholic Church in Dallas, TX, will host Mr. Latry this Sunday evening for an extraordinary concert of French music.

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Jeff Ostrowski · February 18, 2020

Magnificent Photograph! • Fr. Valentine With His Mother

He loved his mother dearly; photo circa 1956.

Veronica Moreno · February 17, 2020

Choral Scholarships at Christendom College

Christendom College offers up to $4500 in tuition reduction and free voice lessons for students starting in the Fall of 2020.

Fr. David Friel · February 17, 2020

Imposing the Classical Style on Public Building Projects?

A rumored executive order would unify the architectural style of future projects and upgrades.

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“My one great desire is that during the sacred functions all the faithful should sing the melodies of the liturgy and the sacred hymns with a full voice.”

— Pope Saint Pius X

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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