Views from the Choir Loft

Archives for April 2019

Dr. Lucas Tappan · April 30, 2019

A Reason To Hope

We need to remember how small the amount of yeast is that is needed to leaven the dough.

Jeff Ostrowski · April 22, 2019

Josef Hofmann: “King of Pianists”

This excerpt from a 1980 radio interview with Abe Chasins proves I’m not crazy…

Jeff Ostrowski · April 20, 2019

PDF Download • “Cheat Sheet” for Easter Vigil

Releasing this is probably a bad idea…too late!

Jeff Ostrowski · April 19, 2019

PDF Download • Organ Interludes for Manuals!

I will most definitely be playing these pieces—based on hymn tunes—by Georg Philipp Telemann!

Veronica Brandt · April 13, 2019

Oreste Ravanello’s Easy Pieces for Organ

A dozen easy little pieces for organ.

Jeff Ostrowski · April 12, 2019

Musical Program for Covid-19

Saint Vitus • MATT GONZALEZ WEDDING • Saturday, 1 August 2020…bride walks at Noon! ——Call time for singers is 10:00am ENTRANCE Organist will play INTROIT • “Deus Israël conjungat” Sung by Men from Goupil-Chant Search the René Goupil website for “pro sponsis” KYRIE #81668 — Palestrina “Fons Bonitatis” part 1 #81249 — Palestrina “Fons Bonitatis” […]

Jeff Ostrowski · April 12, 2019

The Amazing Uy Family Singers!

Not a piece you expected to hear today!

Corpus Christi Watershed · April 10, 2019

In 1991, Buchanan Predicted Ratzinger’s Election

“If the Latin Mass were available, 8% of Catholics would go every Sunday, 17% would attend frequently, and 51% occasionally.” —1991 Poll

Jeff Ostrowski · April 10, 2019

(captured by iPhone) • Rehearsing for the Symposium

Do me a huge favor…

Jeff Ostrowski · April 9, 2019

Brébeuf Harmony Edition • “Splendid Beyond Words”

Folks, there’s just one word for this: WOW.

Jeff Ostrowski · April 8, 2019

PDF Download • Spectacular “Tenebrae” Booklet

Mr. Albert Bloomfield has done us a breathtaking favor.

Jeff Ostrowski · April 6, 2019

St. Michael the Archangel Prayer…in Gregorian Chant!

From a rare book of Franciscan chants (1902)

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Jeff Ostrowski · April 4, 2019

PDF Download • Mystery Kyriale (100 Pages)

Nobody knows the author or date of publication.

PDF Download • “Sprinkling Rite”

Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.

—Jeff Ostrowski

‘Sarum’ Good Friday?

Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?

—Jeff Ostrowski

PDF Download • “Eb Organ Postlude”

Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?

—Jeff Ostrowski

“Gregorian Chant Quiz” • 24 March 2026

How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!

—Jeff Ostrowski

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

PDF Download • “Holy, Holy, Holy”

For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.

—Jeff Ostrowski

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)