Views from the Choir Loft

Archives for April 2019

Dr. Lucas Tappan · April 30, 2019

A Reason To Hope

We need to remember how small the amount of yeast is that is needed to leaven the dough.

Jeff Ostrowski · April 22, 2019

Josef Hofmann: “King of Pianists”

This excerpt from a 1980 radio interview with Abe Chasins proves I’m not crazy…

Jeff Ostrowski · April 20, 2019

PDF Download • “Cheat Sheet” for Easter Vigil

Releasing this is probably a bad idea…too late!

Jeff Ostrowski · April 19, 2019

PDF Download • Organ Interludes for Manuals!

I will most definitely be playing these pieces—based on hymn tunes—by Georg Philipp Telemann!

Veronica Brandt · April 13, 2019

Oreste Ravanello’s Easy Pieces for Organ

A dozen easy little pieces for organ.

Jeff Ostrowski · April 12, 2019

Musical Program for Covid-19

Saint Vitus • MATT GONZALEZ WEDDING • Saturday, 1 August 2020…bride walks at Noon! ——Call time for singers is 10:00am ENTRANCE Organist will play INTROIT • “Deus Israël conjungat” Sung by Men from Goupil-Chant Search the René Goupil website for “pro sponsis” KYRIE #81668 — Palestrina “Fons Bonitatis” part 1 #81249 — Palestrina “Fons Bonitatis” […]

Jeff Ostrowski · April 12, 2019

The Amazing Uy Family Singers!

Not a piece you expected to hear today!

Corpus Christi Watershed · April 10, 2019

In 1991, Buchanan Predicted Ratzinger’s Election

“If the Latin Mass were available, 8% of Catholics would go every Sunday, 17% would attend frequently, and 51% occasionally.” —1991 Poll

Jeff Ostrowski · April 10, 2019

(captured by iPhone) • Rehearsing for the Symposium

Do me a huge favor…

Jeff Ostrowski · April 9, 2019

Brébeuf Harmony Edition • “Splendid Beyond Words”

Folks, there’s just one word for this: WOW.

Jeff Ostrowski · April 8, 2019

PDF Download • Spectacular “Tenebrae” Booklet

Mr. Albert Bloomfield has done us a breathtaking favor.

Jeff Ostrowski · April 6, 2019

St. Michael the Archangel Prayer…in Gregorian Chant!

From a rare book of Franciscan chants (1902)

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Jeff Ostrowski · April 4, 2019

PDF Download • Mystery Kyriale (100 Pages)

Nobody knows the author or date of publication.

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Urgent! • We Desperately Need Funds!

A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!

—Jeff Ostrowski

“Booklet of Eucharistic Hymns” (16 pages)

I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed