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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for October 2017

Jeff Ostrowski · October 31, 2017

Brave Director Posts “Live” Recording

A word of encouragement for choirmasters…

Jeff Ostrowski · October 30, 2017

Hymn by Professor at St. Charles Borromeo Seminary

This PDF score has the Latin (on one side) and two English versions on the other.

Jeff Ostrowski · October 30, 2017

Powerful & Thought-Provoking

“We are giving the world a chance to think about the ethics of choosing which humans get a chance at life.”

Jeff Ostrowski · October 29, 2017

PDF Download • Congregational “Dies Irae”

…including two reasons I believe a liturgical reform was desired in the 1960s.

Fr. David Friel · October 29, 2017

All Saints and the Extraordinary Form of the Mass

The Roman Rite gives strong attention to the presence of the saints.

Richard J. Clark · October 27, 2017

A Requiem on All Souls Day at St. Patrick’s Cathedral

This work is based on the Gregorian Chants of the Requiem Mass. It was directly inspired by the Requiem Mass in the Extraordinary Form at the 2012 Sacred Music Colloquium in Salt Lake City, Utah.

Jeff Ostrowski · October 26, 2017

Christ The King Sunday (5th in October)

“Jesus answered: Thou sayest that I am a King. For this was I born, and for I this came I into the world…”

Jeff Ostrowski · October 26, 2017

Josquin Des Prez Vandalized Stuff (!)

It’s hard for us to remember that the famous composers were not hired as such—they were hired as singers.

Andrew Leung · October 26, 2017

Singing with Peter Philips

Peter Philips: “Polyphony shouldn’t be sung with absolute straight tone—that is not real singing!”

Jeff Ostrowski · October 25, 2017

“Why Sacred Music Hasn’t Been Killed” [Six Reasons]

Lyrics from GIA Worship IV Hymnal: “Who is this who eats with sinners, calling luckless losers winners?”

Fr. David Friel · October 22, 2017

The Spirit of All Souls’ Day

A thought from Dietrich von Hildebrand

Jeff Ostrowski · October 20, 2017

[299 pages] • Simple Polyphony For Choirs

Every single piece has free rehearsal videos for your choir members!

Jeff Ostrowski · October 20, 2017

January 7-12 • Mahrt, Weber, and Buchholz!

The Church Music Association of America is pleased to announce the third Winter Sacred Music Workshop for Chant and Polyphony.

Jeff Ostrowski · October 19, 2017

Sensational Testimony • On Our Feastday!

“Fr. Ryan told me he’s amazed at how the liturgy has been transformed, and that never in seminary did he believe this kind of liturgy would be possible at a Montana parish.”

Jeff Ostrowski · October 19, 2017

20th Sunday after Pentecost (4th in October)

“…be ye filled with the holy Spirit, speaking to yourselves in psalms and hymns, and spiritual canticles, singing and making melody in your hearts to the Lord…”

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Corpus Christi Watershed

President’s Corner

    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Much more serious was the problem, what to do about ‘thou’ and ‘you.’ I confess I would have liked to go the whole hog, and dispense with the use of ‘thou’ and ‘thee’, even where the Almighty was being addressed. They do these things in France, but I felt sure you could not get it past the British public. Why not, then, have ‘thou’ for God and ‘you’ for man? That is Moffatt’s principle; but it seems to me to break down hopelessly in relation to our Incarnate Lord…”

— Monsignor Ronald A. Knox

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