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Views from the Choir Loft

Christ The King Sunday (5th in October)

Jeff Ostrowski · October 26, 2017

These musical programs are for FSSP.la, the new FSSP Apostolate in Los Angeles. Bring your family to the High Mass (SAINT VICTOR, 8634 Holloway Dr, West Hollywood, CA 90069) at 7:00pm every Sunday.


PROCESSIONAL

Organist.


ASPERGES

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist

We also add a polyphonic section, which is #4550.


INTROIT   •   Sometimes the ladies sing this.

PDF Score (Singer)   •   Practice Audio (Singer)


KYRIE ELEISON

We are singing #5294 (KYRIE “Iste Sanctus” by Guerrero)


GLORIA IN EXCELSIS

We will sing #5612.


GRADUAL & ALLELUIA

Psalm Tone Version

Eventually, we might learn this version—but that decision will come later.


CREDO IV   •   Alternatim

We may sing #5984 by Machaut.

We also sometimes sing this version: #3445.   But sometimes we sing in unison.


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY OTHER

Organist will play.


SANCTUS & HOSANNA

We will sing the Palestrina #6962 (“Te saeculorum”)

Sometimes we sing #3496 paired with #2999.

Sometimes we sing Sanctus from Mass XIII. The complete “Kyriale” (Ordinarium Missae) can be found at St. Antoine Daniel.


BENEDICTUS & HOSANNA

We will sing #6926 Palestrina (Te Sæculorum).


AGNUS DEI

We will sing #7554.

Before long we will begin work on a setting by Giovanni Gabrieli.


COMMUNION ANTIPHON

This will be sung by chosen soloists.


COMMUNION ORGAN

Organist.


COMMUNION OTHER

O Sanctissima is #4456, and we’re trying to learn the SATB sections.


RECESSIONAL HYMN   •   #858 Crown Him With Many Crowns

From the Campion Hymnal.


CHOIR PRAYER (from CAMPION HYMNAL) happens after attendance is taken:

Reflection by Archbishop Fulton J. Sheen

Pilate, finding the Prisoner still silent, was full of wrath, for he was accustomed to seeing the accused crawling in dread before him. “What?” said Pilate, “hast Thou no word for me? Dost Thou not know that I have power to crucify Thee and power to release Thee?” (John 19:10) Pilate spoke of his power to release or to condemn. But if the Prisoner before him were innocent, Pilate had no power to crucify; if he were guilty, he had not power to release. The judge is judged. Our Blessed Lord spoke at once, reminding Pilate that any judicial authority which he had came not from Caesar but from God. Pilate had boasted of the arbitrariness of his power, but Christ referred him to a power that is delegated to men. “Thou wouldst not have any power over Me at all, if it had not been given thee from above.” (John 19:11) The power that Pilate boasted was “given”. Whether a governor, king or ruler knows it or not, all earthly authority is derived from on high. “By Me kings reign”, said the Book of Proverbs.

This bold rebuke of Pilate, reminding him of his dependence upon God, stirred his efforts more than ever toward “releasing Him”. Pilate went outside to meet the mob and reaffirm the innocence of the Prisoner. But the mob had their clever answer ready: “Thou art no friend of Caesar, if thou dost release Him; the man Who pretends to be a King is Caesar’s rival.” (John 19:12) It was very strange that the mob who despised Caesar for his massacres, for all the harm that he had done them, and for his prostitution of the temple, now proclaimed that they had no king but Caesar. By proclaiming Caesar as their king, they renounced the idea of a Messias and made themselves vassals of the Empire, thus preparing for the Roman armies that swallowed up Jerusalem within a generation. The terrors of Tiberius seemed more real to Pilate than the denying of justice to Christ. But in the end, those who fear men rather than God lose that which they hoped men would preserve for them.

When Pilate heard the threat to inform Caesar of his partiality to a man whom they accused of being an enemy of Caesar, Pilate sat down in his judgement seat. Pointing to the Prisoner robed in dried blood, crowned with thorns and a scarlet cloak, he said to the people: “See, here is your King.” But they cried out, “Away with Him; away with Him, crucify Him.” (John 19:14-15) Pilate asked: “What, shall I crucify your King?” The chief priests answered: “We have no King but Caesar.” (John 19:15)

And the king took them at their word!   “Thereupon Pilate gave Jesus up into their hands, to be crucified.” (John 19:16)


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Why do we never sing “De Spiritu Sancto” (St. Athenogenes) in our churches? There are a dozen translations in English verse. Where could anyone find a better evening hymn than this, coming right down from the catacombs? Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.

— Rev’d Adrian Fortescue (d. 1923)

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  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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