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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Archives for October 2017

Jeff Ostrowski · October 17, 2017

PDF Download • Rare German Hymnal

Fr. Guido Maria Dreves was a Jesuit priest who died in 1909.

Jeff Ostrowski · October 15, 2017

Video • “Subveníte Sancti Dei” (Requiem)

November 2nd will be here soon!

Fr. David Friel · October 15, 2017

6th-Century Icon: God of Mercy and Justice

A thoughtful reading of an icon at the Holy Monastery of Saint Catherine in Sinai, Egypt

Veronica Brandt · October 14, 2017

Christus Vincit – Christ Conquers

A little more on the triumphal chant inspired from Roman victory celebrations.

Jeff Ostrowski · October 14, 2017

19th Sunday after Pentecost (3rd in October)

“Let Thy healing power, O Lord, in mercy deliver us from our waywardness and cause us ever to cleave to Thy commandments…”

Corpus Christi Watershed · October 12, 2017

Saturday! • Bishop Serratelli to offer Solemn EF Mass

Bishop Arthur J. Serratelli has several times served as chairman of the USCCB Committee on Divine Worship.

Dr. Lucas Tappan · October 10, 2017

The Problem of Acedia

We rarely speak of greatness in the Church anymore for fear of driving people away, yet look at all of the men who responded to the call of the priesthood because of the example of Pope St. John Paul II.

Corpus Christi Watershed · October 9, 2017

PDF Download • Responsorial Psalms (502 Pages)

Composer Brian Michael Page releases his work of 22 years!

Fr. David Friel · October 8, 2017

In the Beauty of Holiness: Music and the Transcendent

New Lecture Series at the International Institute for Culture

Jeff Ostrowski · October 6, 2017

EF Introit for this coming Sunday: “Da Pacem”

Never let anyone tell you there is no longer interest in Gregorian chant.

Richard J. Clark · October 6, 2017

Three Entrance Antiphons for the Celebration of Marriage

Free Download: Three Entrance Antiphons For the Celebration of Marriage

Jeff Ostrowski · October 6, 2017

18th Sunday after Pentecost (2nd in October)

“Let the operation of Thy mercy, we beseech Thee O Lord, direct our hearts, for without Thee we cannot please Thee.”

Andrew Leung · October 5, 2017

A Liturgical Tragedy

I have experienced a similar situation before, and it was not a pleasant experience.

Jeff Ostrowski · October 4, 2017

Superlative Way To Explain Polyphony

To use melodies in this way may seem an easy task, but nothing could be further from the truth.

Jeff Ostrowski · October 3, 2017

Agnus Dei • “Missa Mille Regretz” by Fr. Cristóbal de Morales (d. 1553)

Can you hear the imaginary high note?

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

Recent Posts

  • “My First Year with the Latin Mass” • A Music Director’s Perspective
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  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)
  • (Rehearsal Clips) • Sacred Music Symposium 2025

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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