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Views from the Choir Loft

A Liturgical Tragedy

Andrew Leung · October 5, 2017

CTL Liturgical Tragedy EWS TRAVELS QUICKLY with the technology and power of media nowadays. I was saddened to see the tragedy happened in Las Vegas, and two days in a row, it was the top story on the cover page of the local newspaper in Hong Kong. I am praying for all the victims and their families, and for the end to violence.

As I am praying, this scripture verse (Matthew 10:28) came up in my mind:

Do not be afraid of those who kill the body but cannot kill the soul; rather, be afraid of the one who can destroy both soul and body in Gehenna.

As a seminarian, I constantly remind myself about the priestly mission of saving souls—and it is also a mission of the Church. Sometimes, there are tragedies in the Church that prevent us from saving people souls, like the recent reactions to Amoris Laetitia, as well as many “fights” on other ethical issues, as well as the ongoing liturgical war.

Sir James MacMillan, the famous Scottish composer and founder of Musica Sacra Scotland, just wrote an article on Standpoint and shared his tragic story of dealing with the liturgical war. He mentions that some clerics and laypeople—who embrace the idea of “modernizing” and “democratization” of religious idea and practice—dislike hearing professionally-written music in the liturgy because it sounds old-fashioned, even though the pieces might been composed by a contemporary classical composer. He talks about how church music is suffering because of the “spirit of Vatican II”:

In the 1970s many well-intentioned types thought that such “folk” music and pop culture derivatives would appeal to teenagers and young people and get them more involved in the Church, when the exact opposite has happened. It is now thought that these trendy experiments in music and liturgy have contributed to the increasing risible irrelevance of liberal Christianity, and that liturgy as social engineering has repulsed many. Like most ideas shaped by 1960s Marxist ideology it has proved an utter failure. Its greatest tragedy is the wilful, disingenuous de-poeticisation of Catholic worship. The Church has simply aped the secular West’s obsession with “accessibility”, “inclusiveness”, “democracy” and anti-elitism, resulting in the triumph of bad taste, banality and a deflation of the sense of the sacred in the life of the church.

In another paragraph, he also wrote about his bad experience during Benedict’s papal visit to the UK in 2010. He was asked to write a congregational Mass setting for the outdoor papal Mass. And many were against him, because they believed his “classical” composition to be not pastoral, claiming it would ruin the Mass for the “grass-roots” parishioners.

I’ve given up the liturgy wars since. I stepped back from parish music involvement and now just sit in the pews, suffering with the rest of the Catholic faithful. I still love writing for choirs, though, and from the sidelines I encourage the application of Gregorian chant in simple, vernacular ways, as well as in Latin.

I believe that his experience is just one of the many tragic stories. I have experienced a similar situation before, and it was definitely not a pleasant experience. Let us continue to pray for the Church, especially for the unity within her. And let us be charitable to one another as we work under guidance of the Holy Spirit.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Quick Thoughts

    Schola Director Posts ‘Live’ Recording
    As I explained in my article posted earlier today, Nun Komm Der Heiden Heiland is actually a Catholic tune (in spite of what some have claimed). The volunteer choir I direct sang that beautiful ADVENT melody last Sunday, and I invite you to listen to the live recording. It will get better the more we sing it.
    —Jeff Ostrowski
    Message from the Vice-President!
    The Vice-President of the Church Music Association of America, Dr. Horst Buchholz (who also serves as Director of Sacred Music for the Archdiocese of Detroit) sent us an email yesterday regarding the harmonizations (PDF) I composed for the Gregorian Chant psalm tones. Dr. Buchholz says: “Those settings are absolutely exquisite, as I'm used to when it comes from you. Bravo! Well done! Now, as a sequel, if you could write something for accompanying psalms in English that would be awesome.”
    —Jeff Ostrowski
    Requesting Our Advent Eucharistic Hymn
    A young lady named Agnes wrote to us: “Dear Mr. Ostrowski, do you have the PDF score for Ave Corpus Domini set to the ADVENT melody? Last year, we sang the hymn tune “Nun Komm der Heiden Heiland” quite a bit using your contrafactum technique. My choir appreciates the Latin hymns and practice videos, especially in the ADVENT and CHRISTMAS seasons. Your recent article on Gregorian Psalm Tones is a great help to my organist brother, and reminds us of attending VESPERS years ago when we lived in California. Thank you so much for all the effort put into providing these wonderful resources!”   Agnes, if you are listening! Yes, the PDF file you desire can be downloaded for free at the Brébeuf Portal via this URL link. Thanks for writing to us!
    —Jeff Ostrowski

Random Quote

“All those who take part in sacred music, as composers, organists, choir directors, singers, or musicians should above all give good example of Christian life to the rest of the faithful because they directly or indirectly participate in the sacred liturgy.”

— Directive issued under Pope Pius XII on 3 Sept. 1958

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