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Views from the Choir Loft

A Requiem on All Souls Day at St. Patrick’s Cathedral

Richard J. Clark · October 27, 2017

EW YORK — Thursday, November 2, 2017 • 7:00 p. m.  • Richard Kelley, trumpet, and I will team up again at St. Patrick’s Cathedral in New York City in a concert of American composers Clark, Hovhaness, Pinkham, and Sowerby. In observing All Souls Day—Commemoration of All the Faithful Departed, the featured work is my Requiem pour une américaine à Paris. The concert is free and open to the public.

Composed for trumpet and organ, this work is based on the Gregorian Chants of the Requiem Mass. It was directly inspired by the Requiem Mass in the Extraordinary Form at the 2012 Sacred Music Colloquium in Salt Lake City, Utah.

You can also listen to Richard Kelley and I talk about the upcoming concert with Dr. Jennifer Pascual, Director of Music for Saint Patrick’s Cathedral in New York City, on her program Sounds from the Spires. The show will air this Saturday and Sunday on SIRIUSXM 129 Radio, The Catholic Channel: Saturday, 11pm-12am, Sunday, 6am-7am and 8pm-9pm (All Eastern times)


Richard Kelley, trumpet, has been a soloist with the Boston Symphony Orchestra and plays with the Boston Pops. He has performed with artists such as Andrea Bocelli, Ray Charles, Steven Tyler, and James Taylor. He can be heard on a variety of recordings including the Oscar and Golden Globe-winning soundtrack to Disney’s Pocahontas and Stephen Paulus’ Grammy-nominated Concerto for Two Trumpets and Band.

“The career of trumpeter Richard Kelley is not only a testament to the versatility of his instrument, but also to the ability of one individual to excel across the broadest possible range of music.” — Brian McCreath, WCRB


HE CONCERT FEATURES feature two works composed specifically for Richard Kelley: Pinkham’s Scenes and Requiem pour une américaine à Paris. Recorded by Kelley and Clark, Requiem has been featured on SiriusXM’s Sounds from the Spires, various radio programs around the US, and will be performed at Saint-Eustache in Paris in 2018.

Requiem – Order CD
Requiem – Order from iTunes

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Requiem Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    Hymn by Cardinal Newman
    During the season of Septuagesima, we will be using this hymn by Cardinal Newman, which employs both Latin and English. (Readers probably know that Cardinal Newman was one of the world's experts when it comes to Lingua Latina.) The final verse contains a beautiful soprano descant. Father Louis Bouyer—famous theologian, close friend of Pope Paul VI, and architect of post-conciliar reforms—wrote thus vis-à-vis the elimination of Septuagesima: “I prefer to say nothing, or very little, about the new calendar, the handiwork of a trio of maniacs who suppressed (with no good reason) Septuagesima and the Octave of Pentecost and who scattered three quarters of the Saints higgledy-piddledy, all based on notions of their own devising!”
    —Jeff Ostrowski
    Introit • Candlemas (2 February)
    “Candlemas” • Our choir sang on February 2nd, and here's a live recording of the beautiful INTROIT: Suscépimus Deus. We had very little time to rehearse, but I think it has some very nice moments. I promise that by the 8th Sunday after Pentecost it will be perfect! (That Introit is repeated on the 8th Sunday after Pentecost.) We still need to improve, but we're definitely on the right track!
    —Jeff Ostrowski
    Simplified Antiphons • “Candlemas”
    Anyone who desires simplified antiphons (“psalm tone versions”) for 2 February, the Feast of the Purification—which is also known as “Candlemas” or the Feast of the Presentation—may freely download them. The texts of the antiphons are quite beautiful. From “Lumen Ad Revelatiónem Géntium” you can hear a live excerpt (Mp3). I'm not a fan of chant in octaves, but we had such limited time to rehearse, it seemed the best choice. After all, everyone should have an opportunity to learn “Lumen Ad Revelatiónem Géntium,” which summarizes Candlemas.
    —Jeff Ostrowski

Random Quote

But the revisers did not leave them altogether untouched. Saint Ambrose had to be “corrected.” The Iste confessor was greatly altered and the hymn for the Dedication of a Church, which no one ought to have touched, was in fact completely recast in a new meter.

— Father Joseph Connelly

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